BHAI TERA STAR HAI is an unfunny comedy that fails to make the most of its premise Movie Review: BHAI TERA STAR HAI is a chaotic and unfunny comedy

Star Cast: Raghav Juyal, Sanjay Kapoor, Niharika NM

Director: Vivek B Agrawal

Bhai Tera Star Hai Movie Review Synopsis: BHAI TERA STAR HAI is the story of a man in trouble. Ajay Singh (Raghav Juyal) is a struggling actor living in London. He owes £10,000 to Fatty (Sanjay Kapoor), a dreaded don and pub owner. Fed up with the repeated delays, Fatty gives Ajay 90 minutes to repay the money. Ajay leaves the pub and meets his girlfriend, Roshni (Niharika NM), asking her for financial help. He lies that his sister, Natasha (Parvathy Omanakuttan), is pregnant and urgently needs money. At the same time, he tells Natasha that Roshni is expecting a child and, therefore, requires money urgently. Meanwhile, Roshni asks her brother, Sid (Vivan Bhatena), to arrange the cash. Sid has lent money to several women and goes around the city trying to recover it from them. One of these women is his former girlfriend, Natasha, who also happens to be Ajay’s sister. Soon, several other characters become embroiled in the madness that unfolds over the course of one night. What happens next forms the rest of the film.

Bhai Tera Star Hai Movie Story Review: Sudipto Sarkar and Vivek B Agrawal's story may have sounded very exciting and novel on paper. Sudipto Sarkar and Vivek B Agrawal's screenplay is witty in the sense that it has multiple one take shots. However, the goings-on are bizarre and not funny at all. Sudipto Sarkar and Vivek B Agrawal's dialogues (additional dialogues by Vanika Sangtani, Puneet Sheth, Kamya Mehra) are just okay. Only a few one-liners are funny.

Vivek B Agrawal’s direction is poor. To give credit where it is due, the film features several five- to ten-minute-long takes. It is commendable how the makers manage to pack so much action into scenes filmed in a single take. Moreover, these sequences are not restricted to one location or a static frame; some even unfold on the streets, adding to the chaos. The idea of the protagonist separately lying to his sister and girlfriend about the other being pregnant in order to raise money is clever and could have generated considerable entertainment. The character of Fatty is also amusing – a dreaded don in front of the world who is, ironically, terrified of his wife, Mandy (Niki Walia).

Yet, the film simply fails to impress, as there is hardly anything genuinely funny in it. Despite being just 105 minutes long, it becomes a chore to sit through. The lengthy single-take sequences cease to impress after the first few minutes, while the proceedings become increasingly bizarre as the film progresses. A crucial plot point involves a character being shot in the neck or shoulder. At times, he appears to be in immense pain, but in other scenes, he behaves as though he has suffered only a minor scratch. He does not receive any treatment for his serious injury until the very end and simply goes home! The finale is highly convenient. While most of the tracks are neatly wrapped up, one major subplot is left unresolved.

Bhai Tera Star Hai Movie Review Performances: Raghav Juyal is amusing in a few scenes, but overall, his performance is too loud, possibly due to the requirement of the script. Niharika NM has an arresting screen presence and delivers a subtle and effective performance. Sanjay Kapoor is aptly cast and tries his best to enhance the impact. Tina Desai (Chandani) is lovely in what could be called her comeback role. Barkha Singh (Laila), Parvathy Omanakuttan and Vivan Bhatena are sincere. Vikalp Mehta (JD) is fine but is let down by his character. Niki Walia and Dev Agarwal (Jackie; younger brother) are just okay. Chandan Roy Sanyal (Officer Hamid) tries his best, but his character just doesn’t entice. Naser Al Azzeh (Harry) and Vineeth Kumar (Sandy) are forced into the narrative.

Bhai Tera Star Hai movie music and other technical aspects: Amit Trivedi’s music is not up to the mark. The title track plays during the opening credits. Meanwhile, believe it or not, but as many as three songs – ‘Aankhon Se Tune 2.0’, ‘Nach De Lalariya’ and ‘Rang Barse’ – are played back-to-back during the end credits. ‘Aankhon Se Tune 2.0’ stands out due to its picturization, though it is rather forcefully incorporated into the narrative. Shivam-Anuj’s background score is also excessively loud, while the intermittent use of ‘Reel’-style sound effects is a put-off.

Tribhuvan Babu Sadineni’s cinematography is commendable, particularly in the way the lengthy single-take sequences have been executed. The production design is decent. Rick Roy's costumes are rich. Avantika Hari's editing is smart.

Bhai Tera Star Hai Movie Review Conclusion: On the whole, BHAI TERA STAR HAI is a chaotic and unfunny comedy that fails to make the most of its interesting premise and single-take sequences. With limited buzz and the film clashing with the monstrous SPIDER-MAN: BRAND NEW DAY, it is likely to struggle to attract audiences at the box office.

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SPIDER-MAN: BRAND NEW DAY swings high on heart, humour and action, making for one of the franchise's strongest outings Movie Review: High on emotion, humour and heroism SPIDER-MAN: BRAND NEW DAY is less multiverse, more heart.

Marvel has spent the last few years chasing bigger worlds, bigger stakes and bigger crossovers. But after the emotionally devastating finale of SPIDER-MAN: NO WAY HOME, the franchise didn't need another multiverse headache, it needed Peter Parker. SPIDER-MAN: BRAND NEW DAY understands exactly that. Instead of trying to outdo its predecessor with endless cameos and universe-hopping madness, the film strips things back to what made Spider-Man a global favourite in the first place: a young man trying to do the right thing even when life refuses to cut him a break. The result is a refreshing, emotionally grounded and thoroughly entertaining superhero film that reminds us why the friendly neighbourhood Spider-Man still reigns supreme.

SPIDER-MAN: BRAND NEW DAY Review Synopsis With the world having forgotten Peter Parker's existence, Spider-Man is now truly on his own. Juggling responsibility and relentless crime-fighting, Peter has accepted that saving the city often comes at the cost of having a life of his own. But when a dangerous new enemy emerges and old wounds begin resurfacing, Peter is forced to confront challenges that test not just his powers, but his resilience. As New York becomes the battlefield once again, Spider-Man discovers that every new beginning comes with a price.

SPIDER-MAN: BRAND NEW DAY Movie Review The smartest decision SPIDER-MAN: BRAND NEW DAY makes is refusing to become SPIDER-MAN: NO WAY HOME 2.0. This isn't a film obsessed with nostalgia. It's interested in something far more compelling, watching Peter Parker rebuild his life from scratch. The screenplay keeps its focus firmly on character. Peter's loneliness isn't milked for sympathy; it's woven naturally into the story, making every victory feel earned and every setback sting just a little more. The humour lands, the emotional beats feel genuine and, thankfully, the film knows when to slow down instead of sprinting from one explosion to the next.

What truly works is the balance. The film delivers enough laughs to keep things breezy, enough action to satisfy Marvel fans and enough emotional depth to make you care about the man beneath the mask. Even the quieter scenes carry weight because the audience is invested in Peter, not just Spider-Man. The third act does become a little overcrowded, with a few familiar Marvel tendencies creeping in. Some plot turns arrive a touch conveniently and one or two supporting characters deserved more screen time. But these are minor speed bumps in an otherwise engaging ride.

Most importantly, SPIDER-MAN: BRAND NEW DAY finally lets Peter grow up and the franchise is all the better for it.

SPIDER-MAN: BRAND NEW DAY Movie Review Performances Tom Holland is, once again, the film's biggest strength. He has now completely owned the role, effortlessly blending awkward charm, self-deprecating humour and emotional vulnerability. This is arguably his most mature performance as Spider-Man, proving he no longer needs bigger spectacles to shine.

Zendaya is likeable and though her screen time is limited, she makes her presence felt.

The supporting cast is equally dependable, bringing warmth, humour and just enough intrigue without stealing the spotlight. Their chemistry keeps the emotional stakes grounded, ensuring the film never loses sight of its human side amid the superhero chaos.

SPIDER-MAN: BRAND NEW DAY Movie, Music and Technical Review Visually, Brand New Day feels sharper and more confident than several recent Marvel outings. The CGI is polished without becoming overwhelming, while the web-swinging sequences are genuinely exhilarating and among the film's biggest crowd-pleasers. The action choreography deserves special mention. Every fight has its own rhythm, making full use of Spider-Man's agility rather than relying on repetitive CGI mayhem. The background score complements the emotional moments beautifully before exploding into full superhero mode during the larger set pieces. Crisp editing and confident direction ensure the film rarely loses momentum.

SPIDER-MAN: BRAND NEW DAY Movie Review Conclusion On the whole, SPIDER-MAN: BRAND NEW DAY proves that Spider-Man doesn't need a multiverse to be marvellous. All he needs is a strong story, genuine emotion and a hero worth rooting for. Funny, heartfelt and packed with thrilling action, this is one of the most satisfying SPIDER-MAN films in years and a welcome reminder that sometimes the smallest stories leave the biggest impact. At the box office, the film is poised for a thunderous start and has all the ingredients to emerge as the biggest SPIDER-MAN hit ever.

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TERA YAAR HOON MAIN has a mass-friendly premise but a dated narrative and weak humour Movie Review: TERA YAAR HOON MAIN has a mass-friendly premise but a dated narrative.

Star Cast: Aman Indra Kumar, Akanksha Sharma

Director: Milap Milan Zaveri

Tera Yaar Hoon Main Movie Review Synopsis: TERA YAAR HOON MAIN is the story of a young man and his unusual bond with his friend and the latter’s daughter. Sanju (Aman Indra Kumar) lives in Nagpur with his mother, Saru (Mrinal Deshmukh). At her insistence, he takes up a job in Mumbai and agrees to stay at the residence of Saru’s friend, Vishwanath Purohit (Paresh Rawal), aka Vishu. Vishu lives with his wife, Nandini (Supriya Pilgaonkar), who detests him, and their daughter, Anu (Akanksha Sharma), who adores him more than anyone else. Vishu has a reputation for always keeping his word and never going back on a promise. Meanwhile, Sanju falls in love with Anu. However, she has no feelings for him and has agreed to marry Aditya (Abhishek Mandrecha), the man chosen by her father. Sanju and Vishu become thick friends, and the former confesses his feelings for Anu to the latter. However, Vishu’s determination to honour his promise complicates matters. What happens next forms the rest of the film.

Tera Yaar Hoon Main Movie Story Review: TERA YAAR HOON MAIN is a remake of HELLO GURU PREMA KOSAME [2018]. The story is commercial and has the potential to appeal to the masses. But Rajan Agarwal's screenplay fails to entice and is peppered with moments that fail to up the entertainment quotient in the film. Milap Milan Zaveri's dialogues are okay. A few one-liners work well, but some of them miss the mark.

Milap Milan Zaveri’s direction is average. To give credit where it’s due, he keeps the narrative simple and massy, intending to appeal to the lowest common denominator. The opening title card evokes a lovely sense of déjà vu, reminiscent of old Hindi film title cards, with instrumental versions of the film’s songs playing in the background. Along with romance and humour, he also incorporates action and emotion into the narrative. The friendship between Sanju and Vishu is endearing.

On the flipside, several scenes, which are intended to be funny, fail to raise laughs. The story seems dated. Several plot points are difficult to digest and a few gags seem to be lifted or inspired from similar scenes in famous films like HADH KAR DI AAPNE [2000], INDIAN [2001] etc. A film of this kind may have worked 10 years ago, but in today's times, it may not impress even the masses. Moreover, the original film’s Hindi dubbed version has been widely consumed. This might further restrict its viewership.

Tera Yaar Hoon Main Movie Review Performances: Aman Indra Kumar shows promise and does well, especially in emotional and confrontational sequences. However, he could do better in comic scenes. Akanksha Sharma has an arresting presence and delivers a first-rate performance. Both actors dance exceptionally well. Paresh Rawal is the soul of the film and dominates several key scenes. Supriya Pilgaonkar raises the maximum laughs followed by Darshan Jariwala (Tanisha's father). Neha Khan (Tanisha) is fair in a supporting role. Abhishek Mandrecha and Mrinal Kulkarni don't get much scope. Rajesh Khera is just okay. Mehaan Milap Zaveri (guest at the Nagpur wedding) is cute while Johny Lever (cab driver) is dependable.

Tera Yaar Hoon Main movie music and other technical aspects: A film like this should have had chartbuster songs. Sadly, the album has failed to generate any excitement. Having said that, 'Maine Dil Tujhko Diya' is foot-tapping. 'Tanu Ko Manu Chahiye' is novel and reminds one of 'Apun Bola Tu Meri Laila' from JOSH [2000].

Nigam Bomzan's cinematography is satisfactory. Avani Pratap Gumber's costumes are stylish, especially the ones worn by the lead actors and Neha Khan. Tajamul Shaikh and Anshita Manot's production design is appealing in the scenes of Vishwanath's residence but tacky in the exterior portions. Amin Khatib's action is mass appealing. Maahir Zaveri's editing could have been crisper.

Tera Yaar Hoon Main Movie Review Conclusion: On the whole, TERA YAAR HOON MAIN has a mass-friendly premise and is aided by Paresh Rawal’s strong performance and the warm friendship track. However, its dated narrative, weak humour and unconvincing plot points dilute the impact. At the box office, the film is likely to face an uphill task.

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THE INDIA STORY has a powerful subject, but weak writing and dull courtroom drama blunt its impact. Movie Review: THE INDIA STORY's powerful subject is let down by weak writing.

Star Cast: Shreyas Talpade, Kajal Aggarwal Kitchlu

Director: Chettan D K

The India Story Movie Review Synopsis:

THE INDIA STORY is the story of a man taking on the entire system. Yogesh Patil’s (Shreyas Talpade) daughter, Pari (Trisha Sharda), passes away from cancer at the age of six or seven. Yogesh approaches a police station in his city, Pune, and alleges that she was murdered. The cops find his complaint frivolous and throw him out. He then approaches several lawyers, but they, too, decline to fight his case. Finally, Advocate Archana (Kajal Aggarwal Kitchlu) decides to take it up as her first case. At the Bombay High Court, Archana argues before a two-judge bench comprising Justice M Dave (C P Thakur) and Justice J Prabhakar (Atul Tiwari) that Pari died after consuming fruits, vegetables, milk and other food products contaminated with pesticides and harmful chemicals. She holds the farmers, pesticide companies and the government at large responsible for her death and requests the court to take action against them. The case becomes a major talking point across the country. Farmers, in particular, are aghast, as they consider themselves ‘annadaatas’ but are now being branded as murderers. What happens next forms the rest of the film.

The India Story Movie Story Review: Sagar Shinde's story is hard-hitting and astonishing. However, Sagar Shinde's screenplay fails to do justice to such a promising plot. Very few sequences manage to stand out. Sagar Shinde's dialogues are sharp. However, this courtroom drama doesn’t have a single dialogue that will compel viewers to break into applause. Moreover, due to the censor cuts, some of the one-liners fail to create the desired impact.

Chettan D K’s direction is not up to the mark. To give credit where it is due, he brings to the screen a topic that urgently deserves to be discussed. The timing is also apt, given the recent crackdown in Maharashtra on unhygienic practices at prominent restaurants and eateries. A few scenes stand out. In one such sequence, IG Vijay Rathod (Murli Sharma) is aghast upon learning how certain unscrupulous elements in society produce milk. He recalls savouring a milk-based sweet and encouraging his son to drink milk for better health. Another important scene features Archana’s conversation with a farmer, Rajaram (Rahul Belapurkar), who explains why he separately grows the food consumed by his family. Some portions are deeply moving, especially those depicting the ordeal Pari goes through.

However, as aforementioned, a film which is a courtroom drama and which is tackling such a burning topic should have had exhilarating or clapworthy moments. THE INDIA STORY is devoid of any such moment. The opposition lawyer, Vardhan Agnihotri (Manish Wadhwa), does make strong arguments. But shockingly, he doesn’t get any witness from his side. He merely defends the points raised by Archana. Ideally, when such big corporations are involved, they’ll go all out to save their face in the court. However, their head honchos are just shown discussing in boardrooms that the case will destroy their company and then silently accepting their fate! The other issue with the film is that it’s too disturbing, especially the hospital scenes in the second half. Agreed that it was important to show the hardships. Yet, it gets too heavy and may not be liked by the audience. Lastly, the twist at the intermission point is great, but one wonders why Archana hides the fact from the court and the world at large?

The India Story Movie Review Performances: Shreyas Talpade has a limited contribution in the first half. But he dominates key scenes of the post-interval portions and delivers a heartfelt performance. He makes sure not to go overboard and hence; his act looks very authentic. A few of his scenes will leave viewers teary-eyed. Kajal Aggarwal Kitchlu, meanwhile, is the soul of the first half and looks every inch a lawyer with a motive. Performance-wise, she’s first rate. Child actor Trisha Sharda is cute and plays a difficult role with panache. Murli Sharma and Manish Wadhwa are dependable. C P Thakur and Atul Tiwari are decent. Sachin Parekh (Dr Vikrant) and Kamlesh Sawant (Inspector Jangam) leave a mark in small roles. Alok Kapoor (Yogesh's father) and Anu More (Yogesh's mother) get no scope, while Ganesh Yadav (Opposition leader) is wasted.

The India Story movie music and other technical aspects: Mangesh Dhakade's music is poor. Not a single song stands out. 'Gubbara Chaand Ka' consists of animated scenes; however, it looks out of place. Mangesh Dhakade's background score is just okay.

Nishant Bhagwat's cinematography is functional. Mitesh Zore's production design is authentic. Kirti Jangam's costumes are realistic. The use of AI is tacky. Akash Mhatre's editing is fair but could have been better in scenes involving censor cuts.

The India Story Movie Review Conclusion: On the whole, THE INDIA STORY rests on an important and hard-hitting subject, but weak writing and ineffective courtroom drama dilute its impact. It releases with negligible buzz and, therefore, stands virtually no chance of succeeding at the box office.

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JAN NETA is an engaging entertainer powered by Thalapathy Vijay’s electrifying screen presence Movie Review: JAN NETA is a familiar yet engaging mass entertainer

Star Cast: Thalapathy Vijay, Pooja Hegde, Bobby Deol

Director: H Vinoth

Jan Neta Movie Review Synopsis: JAN NETA is the story of an extraordinary man. The year is 2013. Thalapathy (Thalapathy Vijay) is serving a prison sentence at Madurai Central Jail. Several attempts have been made to kill him behind bars, but he has survived each one due to his courage and fighting prowess. The newly appointed jailer, Srikanth (Gautham Vasudev Menon), is intrigued by Thalapathy and begins looking into his past. Srikanth’s wife is no more, and he is single-handedly raising his daughter, Viji (Mamitha Baiju). Srikanth temporarily allows Thalapathy to leave prison to visit his mother (Revathy), who is on her deathbed. This decision leads to Srikanth’s suspension. After being released from jail, Thalapathy immediately goes to meet Srikanth, as he feels responsible for his predicament. He also forms an instant bond with Viji. When Srikanth dies in a road accident, Thalapathy takes responsibility for Viji and raises her as his own daughter. Meanwhile, John Himler (Bobby Deol), like Thalapathy, is also imprisoned, but in Swasnia, an African nation. He brutally escapes from prison, killing several inmates in the process. He aims to attack India in a manner that the authorities could never have anticipated. He is aided by Roja Rangaswamy (Prakash Raj), an influential politician in Tamil Nadu. How Thalapathy stands in their way and how he, John and Roja are connected forms the rest of the story.

Jan Neta Movie Story Review: H Vinoth's story is partially inspired by the 2023 Telugu film, BHAGAVANATH KESARI. The plot is cliched and routine. H Vinoth's screenplay is captivating and peppered with several moments that would appeal to the masses. However, the writing also falters in some places. H Vinoth's dialogues add to the entertainment quotient.

H Vinoth's direction is simple and easy to apprehend, despite the story being set in different eras. Interestingly, it tells a story which is been told before in Hindi and various South film industries. Moreover, it has a run time of 183 minutes. Yet, the film never feels boring. There’s something or the other happening at every minute and it keeps the viewers firmly invested in the story. Moreover, the film explores themes such as political corruption, secularism, patriotism and women’s safety. A crucial sequence involving a character going on a hunger strike is especially timely and is likely to resonate in light of recent developments in the country.

On the flipside, John Himler’s origin story is silly and difficult to digest. The way the robotic creatures are depicted is substandard. Audiences today are accustomed to watching far superior visual effects in Western films, and JAN NETA falls short on that front. Moreover, certain dialogues and references are likely to appeal primarily to the film’s core audience, that is, the Tamil-speaking moviegoers. Lastly, Vijay does not enjoy the same level of popularity in North India as Allu Arjun or Prabhas, which could further restrict the film’s reach in Hindi-speaking markets.

Jan Neta Movie Review Performances: Thalapathy Vijay delivers a terrific performance. His mere presence is electrifying, and the impact rises several notches whenever he displays his trademark swag or mouths hard-hitting dialogues. He will be remembered as a rare mass superstar with an enviable track record at the box office. Mamitha Baiju has a crucial role and delivers an impactful performance. A few of her scenes would be lapped up by the male and female audiences alike. Pooja Hegde (Kayal) looks gorgeous and lends able support. Bobby Deol is superb as the antagonist, even though the writing lets him down. Prakash Raj goes back to his SINGHAM [2011] and WANTED [2009] avatar and impresses as the baddie. Gautham Vasudev Menon, Priyamani (Leela Devi), Revathy (Thalapathy’s mother), Nassar (Arivudai Nambi; CM), Sunil (Velu; corrupt cop), Narain (Khaleel), Teejay Arunasalam (Karthik) are fair. The actress playing Porkodi makes her presence felt.

Jan Neta movie music and other technical aspects: Anirudh's music is well-woven into the narrative. 'Thalapathy Kacheri' and 'Jiye Tere Hi Sahaare' are the best songs of the lot and foot-tapping. 'Jhilmil Gudiya' and 'Sab Mera Tu' are soulful while 'Khoon Ka Devata' is exhilarating. Anirudh's background score enhances impact. The theme used in Bobby Deol’s scenes is quite cool.

Sathyan Sooryan's cinematography gives the film a cinematic appeal. ANL Arasu's action is a bit gory but not as much as seen in films like DHURANDHAR, ANIMAL, etc. Pallavi Singh's costumes are realistic while V Selvakumar's production design is satisfactory. The VFX could have been better, while the use of AI in the Swasnia scenes is of poor quality. Pradeep E Ragav's editing is slick.

Jan Neta Movie Review Conclusion: On the whole, JAN NETA is a familiar yet engaging mass entertainer powered by Thalapathy Vijay’s electrifying screen presence, crowd-pleasing moments and a brisk narrative. Though several references and dialogues may have limited appeal for Hindi-speaking audiences, it is still the most mass-appealing film of the week. Its action, emotions and larger-than-life treatment could help it find an audience, particularly in B and C centres.

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WELCOME TO THE JUNGLE is a madcap, no-holds-barred comic entertainer that works due to its brainrot humour, grand scale, massy moments and unexpected developments Movie Review: WELCOME TO THE JUNGLE is a no-holds-barred entertainer that works.

Star Cast: Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Shreyas Talpade, Tusshar Kapoor

Director: Ahmed Khan

Welcome To The Jungle Movie Review Synopsis: WELCOME TO THE JUNGLE is the story of a film unit in jeopardy. Sinha (Zakir Hussain) is a rich businessman who gets a tip from a government insider, Ramprasad Udayvar (Brijendra Kala), that if the opposition party wins the upcoming elections, he’ll be jailed for financial fraud. Ramprasad advises him to indulge in loss-making to prevent himself from landing in prison. His trusted aide, Dubey (Johny Lever), advises him to make a grand flop film. The idea is to cast flop actors and directors so that there’s no chance of the film becoming a hit. Accordingly, Dev (Rajpal Yadav) and Das (Paresh Rawal) are hired as directors and Nainsukh (Shreyas Talpade) as the cinematographer. Rajiv Kohli (Akshay Kumar), an unsuccessful actor, is cast as the lead. Dev and Das are unable to repay the loan of dreaded gangsters Romeo (Arshad Warsi) and Yeda Anna (Suniel Shetty). When the gangsters learn that the director duo is working on a film, they order the latter to hire them. Sinha’s daughter Jenny (Jacqueline Fernandez) and Rajiv’s ex-flame Nadia (Disha Patani) are signed as actresses. More actors also join in, such as Rambo (Krushna Abhishek), Jumbo (Kiku Sharda), Rangwa (Mukesh Tiwari), Jagwa (Yashpal Sharma) and Daler (Daler Mehndi). They proceed to a hilly area to shoot the film. For the final schedule, the unit lands up in a town named Azadganj, which is terrorized by a dreaded mujahideen, Zatara (Jackie Shroff). Since the characters in the film are playing army officers, the villagers and the terrorists assume them to be Indian Army officials. What happens next forms the rest of the film.

Welcome To The Jungle Movie Story Review: Late Neeraj Vora's story is crazy and a bhel puri of various films. The screenplay is a mixed bag. While a few scenes fall flat, some scenes manage to entertain big time. Farhad Samji's dialogues enhance the entertainment quotient.

Ahmed Khan’s direction is grand and he deserves credit for pulling off a film of this scale. This was no easy film to execute, not just because of the massive casting and grandeur, but also because it belongs to the brainrot zone, where the madness needs to be handled just right. One wrong move and the humour can fall flat. Thankfully, Ahmed largely succeeds. Of course, the viewer needs to be warned that logic takes a massive backseat here. The fact that the characters, who are part of a film unit, have no clue that they have landed in a terror-controlled zone adds to the chaos and madness. Another major plus is that several characters have distinct quirks, be it Nainsukh, Dubey, Badi Bi (Farida Jalal), Murad Chacha (Kiran Kumar) and others. Filmmakers nowadays often avoid such jokes, fearing backlash or trolling on social media. But the makers here take the irreverent and offensive humour route, and since viewers haven’t experienced this brand of comedy in a long time, it is sure to be lapped up. Along with humour, there’s also enough action to keep the interest going. And that’s not all. The film also has surprise characters who are sure to be greeted with claps and whistles.

On the flipside, a few film parallels are too obvious and unimaginative. For instance, the mute girl track instantly reminds one of BAJRANGI BHAIJAAN [2015]. The scene of Zatara having a merry time in his hideout also seems too similar to the ‘FA9LA’ track of DHURANDHAR [2025]. The Lara Dutta track, meanwhile, falls flat and weakens the first half considerably. A few characters also seem to have been forced into the narrative; remove them from the film and it would have made no difference. Lastly, the humour is such that a segment of the audience, especially those frequenting elite multiplexes, might frown upon it.

Welcome To The Jungle – Official Trailer

Welcome To The Jungle Movie Review Performances: Akshay Kumar, as expected, is in top form. He’s in a league of his own when it comes to comedy and he proves it yet again. And like always, he excels in action as well. Suniel Shetty and Arshad Warsi brilliantly add to the madness. Disha Patani looks like a million bucks and performance-wise, she’s decent. However, she hardly has any dialogues. Jacqueline Fernandez gets to play a funny character and is quite good. Johny Lever, Paresh Rawal and Rajpal Yadav and Shreyas Talpade are dependable as always. Jackie Shroff performs ably as the villain and the same goes for Vindu Dara Singh (Ghoni). Raveena Tandon (Zoya) leaves a huge mark. Lara Dutta (Teja) is very disappointing. Meanwhile, Farida Jalal and Kiran Kumar bring the house down and they are the surprise packages of the film. Tusshar Kapoor, Aftab Shivdasani (Abdullah) and Hemant Pandey (Kishan) are okay. Krushna Abhishek, Kiku Sharda, Mukesh Tiwari and Yashpal Sharma are wasted while Daler Mehndi delivers an embarrassing performance. Zakir Hussain is decent, but is forgotten completely after a point. Late Pankaj Dheer (Karan), Feroze Khan (Arjun) and Puneet Issar (Duryodhan) are entertaining. Urvashi Rautela (Dia), Sudesh Berry (Vikrant Singh) and Brijendra Kala are fair in small roles. Jeetu Verma (Dominic) leaves a mark in a cameo. Child actors Vrihi Kodvara (Urvi) and Bhagya Bhanushali (Bhagya) do well. Akshara Singh delivers an authentic performance in the Bhojpuri song.

Welcome To The Jungle movie music and other technical aspects: From the songs, 'Deewane Hain' is the best of the lot. 'Ghis Ghis Ghis' will be well received, especially in the hinterland. 'Ucha Lamba Kad Forever' comes immediately after but is well picturized. 'Tera Paisa Mera Paisa' is placed in the end credits and is passable. Lastly, the placement of ‘Kyun’ is unexpected and unlike anything seen in a Hindi film! Hanif Shaikh's background score is well-woven into the narrative.

Kabir Lal's cinematography is spectacular. Abbas Ali Moghul's action is neither too gory nor does it involve characters flying; it's realistic and yet cinematic. FutureWorks' VFX is tacky. Shailesh Mahadik's production design is appropriate. Kunal Rawal, Anna Singh, Namita Alexander, Ami Patel, Sunakshi Rathod, Shakil Shetty, Priyanka Mundada, Harshita Ramchandani, Shahdab Malik and Trupti Doifode's costumes are rich. Nitin FCP's editing could have been sharper, especially in the second half.

Welcome To The Jungle Movie Review Conclusion: On the whole, WELCOME TO THE JUNGLE is a madcap, no-holds-barred comic entertainer that works due to its brainrot humour, grand scale, massy moments and unexpected developments. The film is not for those seeking logic or subtlety. However, its unabashed madness and crowd-pleasing moments give it a strong chance to find favour in mass centres. At the box office, it can emerge as a wholesome entertainer for viewers looking for paisa-vasool fun.

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SISU: ROAD TO REVENGE is a brutal yet gripping sequel with Jorma Tommila’s phenomenal act Movie Review: SISU: ROAD TO REVENGE is a brutal yet gripping sequel

Star Cast: Jorma Tommila, Stephen Lang

Director: Jalmari Helander

Sisu: Road To Revenge Movie Review Synopsis: SISU: ROAD TO REVENGE is the story of a man who cannot die. Two years after the events of the first part, that is, in 1946, Aatami Korpi (Jorma Tommila) travels to Soviet-occupied Karelia to his residence. It is also the place where his family was brutally murdered, thus turning him into a killing machine. Aatami dismantles his old family house, loads the wood onto a truck and decides to travel to Finland to rebuild it in the honour of his wife and children. Meanwhile, the Red Army discovers Aatami's presence on their soil. A top KGB officer (Richard Brake) summons Igor Draganov (Stephen Lang). Igor is languishing in jail and he's the one who killed Aatami's family. In short, Igor made him 'Koshchei', aka the Immortal. Hence, Igor is asked to finish Aatami and the legend associated with him once and for all. What happens next forms the rest of the film.

Sisu: Road To Revenge Movie Story Review: Jalmari Helander's story is exciting. Jalmari Helander's screenplay is captivating and this time, the cinematic liberties are there but not too extreme, unlike last time. The dialogues are very minimal.

Jalmari Helander's direction is exemplary. Yet again, the protagonist is mute and certain scenes don't have any dialogues whatsoever. Moreover, the stakes are higher and hence, even the scale is many notches higher. This means that the action scenes are more exciting and, in some scenes, even more gory. The initial chase scene is gripping, but the one involving airplanes is clapworthy. The scene involving the tank at the Soviet Border Station is also quite imaginative. Jalmari doesn't give out his best initially; he reserves some for the final fight. The very last scene is unusual and heartening.

On the flipside, a few cinematic liberties, though not as extreme as those present in SISU [2022], are still there and they are very unconvincing. Gore is the USP of the film, but in some places, the makers go to insane lengths. The glass breaking in the train bogie scene had no relevance. The moment anyway was quite nail-biting and the glass needlessly added the bloodshed to the sequence. Lastly, the first part didn't find many takers in India and hence, a question mark arises on the prospect of the sequel.

Sisu: Road To Revenge Movie Review Performances: Jorma Tommila is simply unbelievable. To enact without any dialogue and just through the eyes is a feat and Jorma pulls it off effortlessly. This is a performance that perhaps deserves an Academy nomination. Stephen Lang is a welcome addition and he performs aptly. Richard Brake does well in a small role.

Sisu: Road To Revenge movie music and other technical aspects: Juri Seppä and Tuomas Wäinölä's music is energetic and much-needed in a film with such few dialogues. Mika Orasmaa's cinematography is exemplary and adds to the film's scale. The action is extremely disturbing and not for the faint-hearted. However, the imagination of the action team deserves kudos as a few stunts will leave viewers amazed. Troll VFX's VFX is top-notch. Pille Küngas's costumes and production design are authentic. Juho Virolainen's editing is slick.

Sisu: Road To Revenge Movie Review Conclusion: On the whole, SISU: ROAD TO REVENGE is a brutal yet gripping sequel that scores with its imaginative action, striking visuals and Jorma Tommila’s phenomenal, near-silent performance, but is weighed down by excessive gore and some unconvincing cinematic liberties. With virtually zero following in India for the first film and such a niche, hyper-violent treatment, its box office prospects here are extremely limited, appealing primarily to a small segment of hardcore action buffs.

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MASTIII 4 offers only sporadic chuckles and is bogged down by needlessly crude humour Movie Review: MASTIII 4 offers only sporadic chuckles

Star Cast: Riteish Deshmukh, Vivek Oberoi, Aftab Shivdasani

Director: Milap Milan Zaveri

Mastiii 4 Movie Review Synopsis: MASTIII 4 is the story of four friends who get into trouble. Amar (Riteish Deshmukh), Prem (Aftab Shivdasani) and Meet (Vivek Oberoi) are three pals based in the UK. Amar works in a zoo and is a ‘master-mator’, as he helps animals in mating. Prem is a doctor, while Meet works in the automobile industry. Amar, Prem and Meet are married to Bindiya (Elnaaz Norouzi), Geeta (Ruhi Singh) and Aanchal (Shreya Sharma). The trio are not happy with their married lives for various reasons. They attend the tenth wedding anniversary of their friends, Kamraj (Arshad Warsi) and Menaka (Nargis Fakhri). Kamraj is deeply in love with his wife and Bindiya, Geeta and Aanchal are jealous of their relationship. Amar, Prem and Meet get suspicious that Kamraj must be cheating on his wife. Their doubts are confirmed as they catch Kamraj red-handed, having fun with ten girls. They inform Menaka about it but shockingly, she doesn’t object. This is when Kamraj informs the trio that he has secured a ‘Love Visa’ from his wife. It means that for a week, he’s allowed to have extra-marital affairs. Menaka believes that once the week-long period ends, Kamraj doesn’t look at any other woman and turns into a dutiful husband. Amar, Prem and Meet are fascinated by the ‘Love Visa’ concept and decide to ask their wives for it. What happens next forms the rest of the film.

Mastiii 4 Movie Story Review: Farrukh Dhondy and Milap Milan Zaveri's story has all the trappings of a laugh-a-minute riot. Farrukh Dhondy and Milap Milan Zaveri's screenplay falls short and is riddled with very few jokes that land as intended. Milap Milan Zaveri and Abhinav Vaidya's dialogues raise laughs in some places. Sadly, a few of them have been tweaked courtesy the Censor Board.

Milap Milan Zaveri's direction is okay. On the positive side, visually, the film looks fresh and has been shot in an A-grade manner. Even the opening credits are appealing. There's not a single dull moment as a lot is happening in the film every minute. The songs are poor but are well picturized. A few jokes definitely raise a lot of laughs and will be enjoyed by the masses and frontbenchers.

Mastiii 4 – Official Trailer | Riteish Deshmukh | Vivek Oberoi | Aftab Shivdasani | 21st Nov

Despite the plusses, the film fails to entice. The twist is predictable and similar to the one seen before in one of the films of the series. The majority of the jokes fall flat and the writing is to blame here. It's sad as well as shocking to see that a famous funny one-liner from MAIN TERA HERO [2014] has been blatantly lifted and incorporated in MASTIII 4. It makes one wonder if the makers ran out of ideas. Some jokes are too crude and crass and even the masses might reject it. A scene in the pre-climax involving toilet humour is distasteful and one wonders how it even got approved in the first place.

Mastiii 4 Movie Review Performances: Riteish Deshmukh puts in a sincere effort and plays his part well. Vivek Oberoi goes overboard in several scenes. Aftab Shivdasani, too, is over the top but somehow manages to do justice to his part. Elnaaz Norouzi, Ruhi Sharma and Shreya Sharma are decent at best. Shaad Randhawa (Virat) is dependable. Tusshar Kapoor (Don Pablo Putinwa) gets to play a funny character, but is let down by the writing; the makers could have gone all out with this character. Nishant Singh Malkani (Sid Walia) is passable. Genelia Deshmukh is lovely in a cameo.

Mastiii 4 movie music and other technical aspects: The songs are not exciting, be it the title song, 'Pakad Pakad', 'One In Crore', or the one in the pre-climax. Vishal Shelke's background score is appropriate.

Sanket Shah's cinematography gives the film a fresh look. Tajamul Ismail Shaikh and Anshita Manot's production design is rich. Avni Gumber's costumes are stylish. White Apple's VFX is substandard. Sanjay Sankla's editing is decent.

Mastiii 4 Movie Review Conclusion: On the whole, MASTIII 4 offers only sporadic chuckles and is otherwise bogged down by lame, recycled and needlessly crude humour. At the box office, its prospects appear extremely weak.

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WICKED: FOR GOOD fails to impress due to weak direction and underwhelming second half Movie Review: WICKED: FOR GOOD fails to impress due to weak direction

Star Cast: Cynthia Erivo, Ariana Grande

Director: Jon M Chu

Wicked: For Good Movie Review Synopsis: WICKED: FOR GOOD is the story of two friends. Five years after the events of the first part, Elphaba Thropp (Cynthia Erivo), now known as the Wicked Witch of the West, continues to fight for animal rights and save them from exploitation. Glinda (Ariana Grande) has been assigned by the Wonderful Wizard of Oz (Jeff Goldblum) and Madame Morrible (Michelle Yeoh) to spread positivity and goodness as the administration spreads lies that Elphaba is trying to destroy Oz. Fiyero (Jonathan Bailey) is now the Captain of the Gale Force and is assigned the duty of hunting down Elphaba. Unknown to Madame Morrible and the Wizard, Glinda and Fiyero are sympathetic to Elphaba. Elphaba's father passes away and her sister Nessarose (Marissa Bode) is now the governor of Munchkinland. She, too, loves Elphaba but has no qualms in taking harsh decisions against her sister, so that no one assumes that she's sympathetic to her. Elphaba tries to help Nessarose but ends up putting her and her partner, Boq (Ethan Slater), into trouble. The animals, for whom she's fighting, also decide to leave Oz after they learn that it was she who gave wings to the monkeys in the Wizard Palace. Elphaba decides to head to the Emerald City and that too on the day Glinda is getting engaged to Fiyero. What happens next forms the rest of the film.

Wicked: For Good Movie Story Review: The story is fascinating, but it loses steam in the second half. Winnie Holzman and Dana Fox's screenplay has its share of riveting and dramatic moments. However, it leaves a lot to be desired, just like the principal plot. The dialogues are in sync with the film's mood and theme.

Jon M Chu's direction this time doesn't entice like it did in WICKED [2024]. To give credit where it's due, the beginning portions are captivating. He smartly makes a political commentary; several happenings in the film mirror realities of today like fake news being spread for vested interests, the common public is constantly reminded of an enemy from time to time, etc. The humour quotient this time is limited as things get serious in Oz, but it's still there and it works.

On the flipside, the makers don't inform viewers that five years have passed since the events of WICKED. Hence, it feels a bit sudden to see Glinda, Fiyero and Nessarose progress so much in life and it's only after a while that one understands that a lot of time has passed. After a watchable first half, the film falls post-interval. The scene of the tornado is bizarre; no explanation is given why Nessarose is out in the open when everyone is behind closed doors. Similarly, the finale is not properly executed and the developments are difficult to digest. The songs act as roadblocks and it further makes the post-interval portions tedious.

Wicked: For Good Movie Review Performances: Cynthia Erivo yet again plays her part with ease and especially scores in scenes where she’s angry. Ariana Grande is adorable; she and Cynthis make the second half bearable. Jeff Goldblum and Michelle Yeoh lend able support. The dashing Jonathan Bailey makes his presence felt. Marissa Bode and Ethan Slater lend able support.

Wicked: For Good movie music and other technical aspects: The songs are lovely but some of them don't make the desired impact as they needlessly lengthen the film's run time. John Powell and Stephen Schwartz's background score is much better.

Alice Brooks's cinemtography is spectacular and it is complimented by top-class VFX, Nathan Crowley's rich production design and Paul Tazewell's regal costumes. Myron Kerstein's editing should have been slicker.

  Wicked: For Good Movie Review Conclusion: On the whole, WICKED: FOR GOOD fails to impress due to weak direction and an underwhelming second half. It will open with a bang in its home market, but in India, its prospects appear limited, given the low familiarity with the brand and its world.

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120 BAHADUR stands as a sincere and stirring salute to the heroes of Rezang La, powered by immersive war detailing and a commanding performance by Farhan Akhtar Movie Review: 120 BAHADUR stands as a sincere and stirring salute

Star Cast: Farhan Akhtar, Raashii Khanna

Director: Razneesh 'Razy' Ghai 

120 Bahadur Movie Review Synopsis: 120 BAHADUR is the story of bravery and valour. The year is 1962. In October, the Chinese troops began their march towards Ladakh. Major Shaitan Singh Bhati (Farhan Akhtar) heads the 13th Battalion of Kumaon Regiment; his platoon is holding a position at Rezang La in the Chushul sector. Chushul consists of an airstrip and the Chinese are desperate to capture this sector. Shaitan realizes the importance of Chushul and fears that if the Chinese gain control of it, they can also be at an advantage to capture the rest of Ladakh and Jammu and Kashmir. On November 17, Major Shaitan Singh Bhati spots more than 3000 Chinese soldiers marching towards Rezang La. He informs the army headquarters and his senior asks him to leave Rezang La since the Indian side is outnumbered. But Major Shaitan Singh Bhati tells his commanding officer that he and his 120 brave men would not leave their position and fight the enemy until their last breath. What happens next forms the rest of the film. 

120 Bahadur Movie Story Review: 120 BAHADUR is based on true events. Rajiv G Goswami tells a story that many don't know about and that works to the advantage of the makers. Rajiv G Goswami's screenplay is engaging during the war scenes but leaves a lot to be desired otherwise. Sumit Arora's dialogues are conversational and clapwothy in a few places.

Razneesh 'Razy' Ghai's direction is decent. To give credit where it's due, he has gone all out. At a time when films are filmed against green screen in studios, he has shot the film in real and extremely challenging locations. In terms of authenticity, the film scores distinction marks. The war scenes are executed with finesse and moreover, the film pays a great tribute to Major Shaitan Singh Bhati and the 120 brave men under his leadership who chose to fight despite having the option to fall back.

On the flipside, the first half is very ordinary. The scenes of the build-up, Major Shaitan Singh Bhati's flashback and the comedy among his regiment give a deja vu of films like BORDER [1997], KESARI [2019], SHERSHAAH [2021] etc. All these films had great music score and this film lacks in that department. There's a subplot of a rookie soldier; ideally, the makers should have explored it a bit more and made it more dramatic, as it was novel. However, the makers rushed through this track. 

120 Bahadur | Official Trailer | Farhan Akhtar | Raashii Khanna | 21st November

120 Bahadur Movie Review Performances: This is Farhan Akhtar’s first film as an actor after nearly 4 ½ years and he’s terrific without a doubt. He underplays his part and also shows his angry side as required and he impresses in both avatars. Raashii Khanna (Sugan) is lovely in a special appearance. Ajinkya Ramesh Deo (Brigadier) and Eijaz Khan (Commanding Officer) lend able support. From the armymen, debutant Sparsh Walia (Radio Operator Ramchander Yadav) gets the maximum screen time and he delivers a very fine performance. Vivan Bhatena (Jemadar Surja Ram) is the next best followed by Ashutosh Shukla (Dharampal) and Brijesh Karanwala (Jairam Kaka). Others who do well are Dhanveer Singh (Jemadar Hariram Singh), Digvijay Pratap (Jemadar Saab), Sahib Verma (Nanha), Devendra Ahirwar (Baingan), Ankit Siwach (Ramlal), and Atul Singh (Nihal Singh). Marcus Mok (General Gao) is fair while Seng Soo Ming (Major Memeti) is over the top. Yet, it works for his character. 

120 Bahadur movie music and other technical aspects: Songs – 'Yaad Aate Hain', 'Main Hoon Woh Dharti Maa' and 'Naina Re Lobhi' – fail to entice or move the viewers. Satish Raghunathan's background score is heroic. Tetsuo Nagata's cinematography is spectacular. Ladakh has never been shot in this manner before. Marek Svitek's action is in sync with the film's mood. And unlike the trend today, it's not gory or disturbing. Theia Tekchandaney's costumes and Shailaja Sharma's production design are authentic. Nolabel, Frame X and Fortune Leaf's VFX is satisfactory. 

120 Bahadur Movie Review Conclusion: On the whole, 120 BAHADUR stands as a sincere and stirring salute to the heroes of Rezang La, powered by immersive war detailing and a commanding performance by Farhan Akhtar. However, the routine first half, been-there-done-that type of moments and underwhelming music hold it back from becoming truly unforgettable. At the box office, the film will have to rely heavily on strong word of mouth and patriotic sentiment to find success.

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DE DE PYAAR DE 2 impresses with its compelling performances, relatable narrative, and an entertaining fusion of humour and drama Movie Review: DE DE PYAAR DE 2 impresses

Star Cast: Ajay Devgn, R Madhavan, Rakul Preet Singh

Director: Anshul Sharma

De De Pyaar De 2 Movie Review Synopsis: DE DE PYAAR DE 2 is the story of a man trying to win over his girlfriend's parents. After the events of the first part, Ashish Mehra (Ajay Devgn) starts living in with Ayesha Khanna (Rakul Preet Singh) in London. 6 months later, Ayesha goes to her hometown, Chandigarh, in time for the birth of brother Rohan (Tarun Gahlot) and his wife Kittu's (Ishita Dutta) child. Ayesha feels that it would be a good time to confess to her father, Rakesh (R Madhavan) and mother Anju (Gautami Kapoor) that she's dating a man who's 24 years old to her. Kittu prematurely blurts out to Rakesh and Anju that Ayesha is dating. Ayesha simply tells her parents that her boyfriend is older than her. Assuming that Ashish might be older than a few years, they assure it's not a problem and request a meeting. As expected, they get a jolt when they realize Ayesha is way older than they thought. It creates a rift between Ayesha and Rakesh. Ayesha is so angry with her father's behaviour that she returns to London and contemplates marrying Ashish without her parents. What happens next forms the rest of the film.

De De Pyaar De 2 Movie Story Review: Luv Ranjan's story is original, especially the various twists and turns. At the same time, they carry his trademark stamp. Tarun Jain and Luv Ranjan's screenplay is full of humour and drama in adequate doses, though the writing gets far-fetched in the second half. Tarun Jain and Luv Ranjan's dialogues are one of the pillars of the film. Certain references to previous films, TV shows etc. will bring the house down.

Anshul Sharma's direction is entertaining. He neatly takes the franchise forward and ensures that the tonality of the sequel is the same as part 1. Moreover, the film never drags or slows down. Something or the other is happening in every scene. In fact, there are no songs in the first half. Also, usually, the pre-interval portion is reserved for fun while the drama takes centre stage later on. But in DE DE PYAAR DE 2, the first half is a mix of comedy and confrontation, and it makes for a great watch. The intermission point is interesting. Post-interval, the madness goes many notches higher once Adi (Meezaan Jafri) enters the narrative. The conversation between Ashish and Rakesh is memorable.

On the flipside, the second half is too far-fetched. There’s no doubt that the twist is unexpected and the makers attempted to give the audience a different experience. At the same time, it’ll leave viewers divided – while some might be impressed, the other half will find it outright silly. The film gets better in the finale, but even this part might have its share of adversaries. The other weak point is music. A film like this ought to have chartbuster songs.

De De Pyaar De 2 – Official Trailer | Ajay Devgn, R. Madhavan, Rakul Preet, Meezaan Jafri

De De Pyaar De 2 Movie Review Performances: Ajay Devgn is dependable as always. Though his screen time is comparatively less, he makes his presence felt from start to finish. In some scenes, he uses his eyes to do the talking and its quite impressive. R Madhavan rocks the show. Only a seasoned actor like him could have essayed the role with such perfection. Rakul Preet Singh dominates some key scenes. She looks stunning and delivers one of her best or arguably the best performance of her career. Meezaan Jafri also gives his career-best act. Gautami Kapoor lends able support. Jaaved Jaaferi (Ronak) is too good and raises laughs. Ishita Dutta has a crucial role in the first half and does well. Tarun Gahlot gets no scope. Suhasini Mulay (Nani) steals the show with just one scene. Gracy Goswami (Tia) and Anvesha Vij (Dia) are okay. Ankur Nayyar (Babbi) is wasted.

De De Pyaar De 2 movie music and other technical aspects: Songs won't have a long shelf life but are well-woven. 'Raat Bhar' is the best of the lot followed by 'Baabul Ve'. '3 Shaukk' and 'Aakhri Salaam' are passable. 'Jhoom Barabar Jhoom' appears in the end credits. Hitesh Sonik's background score adds to the commercial feel. Sudhir K Chaudhary's cinematography is satisfactory. Samidha Wangnoo's costumes are glamorous, especially the ones worn by Rakul. Sumit Basu and Manini Mishra's production design is theatrical. Chetan M Solanki's editing is slick.

De De Pyaar De 2 Movie Review Conclusion: On the whole, DE DE PYAAR DE 2 impresses with its compelling performances, relatable narrative, and an entertaining fusion of humour and drama. At the box office, the film possesses strong prospects of sustaining and expanding its run over the weekend and thereafter, particularly if favourable word of mouth regarding its emotional quotient and comedic moments gains momentum.

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THE RUNNING MAN has a great premise but its long runtime and weak second half dilute the impact. With low buzz, it’s likely to struggle in India Movie Review: THE RUNNING MAN has a great premise

Star Cast: Glen Powell, Josh Brolin

Director: Edgar Wright

The Running Man Movie Review Synopsis: THE RUNNING MAN is the man of a common man who brings social change. The film is set in the future and America has become a totalitarian dystopia and under the control of an organization named Network. Ben Richards (Glen Powell), a resident of the Slumside in Co-Op City, is married to Sheila (Jayme Lawson) and they have a daughter named Cathy. Ben has been fired several times and is under financial stress. Moreover, Cathy is severely ill and they need to make quick cash to save her life. The only way to do so, according to Ben, is to participate in a TV show called 'The Running Man', run by the Network. Sheila is against this idea as contestants of the TV show usually get killed; such are the rules of the game. Yet, Ben decides to participate. Dan Killian (Josh Brolin), the show's producer, also persuades Ben to go for it, as the former realizes that the latter's attitude and arrogance will lead to higher viewership. Ben agrees and as per the rules, he now has to run to save his life and give a better future to his family. What happens next forms the rest of the film.

The Running Man Movie Story Review: THE RUNNING MAN is based on the novel by the same name by Stephen King. The story is fascinating and relevant as some of the aspects shown in the film mirror the reality, albeit only to some extent. Michael Bacall and Edgar Wright's screenplay is peppered with dramatic and action scenes, but loses steam after a point. The dialogues are sharp.

Edgar Wright's direction is decent. He introduces the dystopian world very well and tries his best to keep the narrative simple. The rules of the game are a bit complicated and this is where the film goes over the head. But once the game show begins, the narrative gets simplified automatically. The action scenes in the first half keep the interest going. Gradually, Ben becomes a messiah and this bit also adds to the fun.

On the flipside, the second half is not as exciting as the novelty wears off. The track of Amelia (Emilia Jones) doesn't work as intended. Elton's (Michael Cera) track is promising but his decision to call the Network authorities seems far-fetched. Also, the Network, after a point, attempts to stop civilians from assassinating Ben. However, no one can be in so much control, especially when a section of the population is baying for his blood. The climax is also quite convenient.

The Running Man Movie Review Performances: Glen Powell is apt for the part and he brings the right amount of vulnerability, anger and star value. However, his temper issues initially don't come across convincingly. Josh Brolin is aptly cast and delivers a bravura performance. Jayme Lawson is lovely in a supporting role. Colman Domingo (Bobby T) gets into the skin of the character flawlessly. Lee Pace (Evan McCone) is decent. Michael Cera plays his part with panache while Emilia Jones is fair. Daniel Ezra (Bradley) leaves a mark. William H. Macy (Molie), Katy O'Brian (Laughlin), Martin Herlihy (Jansky) and others are fine.

The Running Man movie music and other technical aspects: Steven Price's music has a commercial appeal. Chung-hoon Chung's cinematography is breathtaking. Marcus Rowland's production design is futuristic, while Julian Day's costumes are realistic. Paul Machliss' editing should have been slicker.

The Running Man Movie Review Conclusion: On the whole, THE RUNNING MAN rests on a fascinating premise but fails to entice due to its long length and weak second half. It has negligible buzz and hence, it’ll struggle to find an audience in India.

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NOW YOU SEE ME: NOW YOU DON'T has its share of entertaining moments but it falls short Movie Review: NOW YOU SEE ME: NOW YOU DON'T has its share of entertaining moments

Star Cast: Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher, Rosamund Pike

Director: Ruben Fleischer 

Now You See Me: Now You Don't Movie Review Synopsis: NOW YOU SEE ME: NOW YOU DON'T is the story of the return of the Horsemen. Nearly ten years after the events of NOW YOU SEE ME 2 [2016], it comes to light that the Four Horsemen - J Daniel Atlas (Jesse Eisenberg), Merritt McKinney (Woody Harrelson), Jack Wilder (Dave Franco) and Henley Reeves (Isla Fisher) - perform a magic show in New York. Bosco Leroy (Dominic Sessa) is present in the audience; he's called on the stage and Merritt puts him to sleep. In a trick that stuns the audience, they 'enter' his body and steal money from a crypto businessman, also present in the audience. Interestingly, it comes to light that Horsemen were not present at the show and they didn't even shoot it. Bosco and his friends, Charlie (Justice Smith) and June (Ariana Greenblatt) planned the whole thing. Atlas enters their hideout and confronts them over their mischief. He also informs them that The Eye has enlisted them for a heist. This time, the target is Veronika Vanderberg (Rosamund Pike), whose diamond company is a front for funding some of the biggest crime syndicates of the world. Veronika owns Heart, the world's largest queen diamond, and this is what The Eye wants them to steal. Atlas is not alone. He's joined by Merritt, Jack and Henley. However, the Horsemen don't seem to be the best of friends anymore, adding to the complications. What happens next forms the rest of the film. 

Now You See Me: Now You Don't Movie Story Review: Eric Warren Singer and Michael Lesslie have written a story that must have sounded exciting on paper. Michael Lesslie, Paul Wernick, Rhett Reese and Seth Grahame-Smith's screenplay has its share of entertaining moments but falls short to some extent when compared to the previous parts. The dialogues are hilarious.

Ruben Fleischer's direction is simple and massy. To give credit where it's due, a few magic tricks shown in the film do catch your attention and raise a 'how did they do it' kind of curiosity among the viewers. This is especially in Charlie and Co's trick and the one involving the diamond. The film also scores with the humour quotient. The police station, too, adds to the madness.

On the flipside, the makers don't up the stakes. Viewers have seen far more exciting and astonishing heists in the first two films of the series and this film falls short on that front. The trick in the climax is a similar one done in the last film. In fact, the film falls in the second half and ideally, the makers should have come up with a better culmination. The suspense is unexpected, but again, it doesn't wow you. 

Now You See Me: Now You Don't Movie Review Performances: Jesse Eisenberg, as always, delivers a suave and cool performance. Woody Harrelson yet again proves to be a scene-stealer. Dave Franco gets limited screen time and is passable. Isla Fisher looks stunning and delivers a lovely performance. Rosamund Pike is just okay as the villain. Ideally, such a powerful person should have created bigger hurdles for the Horsemen. Dominic Sessa, Ariana Greenblatt and Justice Smith are welcome additions and do well. Morgan Freeman (Thaddeus Bradley) is damn good in an extended cameo. 

Now You See Me: Now You Don't movie music and other technical aspects: Brian Tyler's music is in sync with the film's theme. George Richmond's cinematography adds to the film's scale. Sophie Canale's costumes and David Scheunemann's production design are glamorous. VFX is top-class. Stacey Schroeder's editing is satisfactory. 

Now You See Me: Now You Don't Movie Review Conclusion: On the whole, NOW YOU SEE ME: NOW YOU DON'T has its share of entertaining moments but falls short of the impact created by the first two parts. Nevertheless, the popularity of the franchise should ensure respectable footfalls in cinemas, at least in the opening weekend.

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