HAIWAAN rests on strong performances and engaging face-offs, but its disjointed screenplay, weak songs and underwhelming climax dilute the impact Movie Review: Disjointed screenplay, weak songs and underwhelming climax dilute HAIWAAN’s impact

Star Cast: Akshay Kumar, Saif Ali Khan

Director: Priyadarshan

Haiwaan Movie Review Synopsis: HAIWAAN is the story of a blind man fighting a notorious man. Shyam (Saif Ali Khan) is a young, blind man who works as a maintenance manager in an upscale society of Mumbai. His family is based in Devgad; his sister Shraddha (Yamini Joshi) is about to get married and Shyam needs to raise money for it and also to pay off a loan. Shyam is very close to Judge Pradhan (Boman Irani), the ex-chief justice of India, a resident of the same society where Shyam works. Pradhan confides to Shyam about a guilt that he's carrying since a long time and it is associated with a man called Parshuram (Akshay Kumar). Pradhan is trying to find him but is unable to do so. Unknown to Pradhan, Parshuram has set his eyes on him and is waiting for the right opportunity to attack the former. What Parshuram doesn't realize is that a blind man will wreak havoc for him. What happens next forms the rest of the film.

Haiwaan Movie Story Review: HAIWAAN is adapted from the Malayalam film OPPAM [2016]. Priyadarshan's story has immense potential. However, Priyadarshan, Abilash Nair and Rohan Shankar's screenplay is weak, stretched and disjointed. Rohan Shankar's dialogues are fine. Some funny one-liners are in trademark Priyadarshan style but don’t have the same impact as his previous films.

Priyadarshan's direction has its moments. To give credit where it’s due, a few scenes are interesting, especially the ones involving Shyam and Parshuram. Whenever the two face off, the interest levels automatically go up. A massy scene involving Shyam at the police station is clapworthy, though it comes too late in the day. The phone booth sequence also takes one by surprise. The work of the technical team is first-rate and helps enhance the tension in several scenes.

On the flipside, the first half is disjointed and it takes a while to understand how the various characters are connected. The numerous songs further make the proceedings tedious. A few aspects are also never properly explained. Shyam is a maintenance manager employed by the society, yet he frequently takes leave to accompany Judge Pradhan to the hills and even to meet Nandini (Pahal Ashok Choudhary). It is also bewildering how Parshuram managed to amass so much wealth. Another major issue is that the film has too many subplots, and most of them are not tied up satisfactorily. The culmination of the Devgad track is abrupt, while the female characters don't get their proper due towards the end. The climax fight is meant to be nail-biting but ends up being unintentionally funny.

Haiwaan Movie Review Performances: Akshay Kumar gets his act right, and the way he lets his silence do the talking is impressive. However, his dialogue delivery is a bit over-the-top. Moreover, his screen time is limited, especially in the first half. Saif Ali Khan has the maximum screen time and delivers an effective performance. His portrayal of a visually impaired man is convincing, and he also impresses in the action scenes where he takes on the baddies. Boman Irani is dependable as always. Saiyami Kher (Inspector Varsha) is decent, though her role seems too similar to JAAT [2025]. Shriya Pilgaonkar (Naina) is fair but is let down by the writing. The same goes for Sharib Hashmi (Senior Inspector Ashok Shinde), while a few of his jokes fail to land. Late Asrani (Security Guard Hussein) is adorable. Rajesh Sharma (SP Rohit Vardhan) is okay, while Pahal Ashok Choudhary is cute. Yamini Joshi, Manoj Joshi (Pandurang) and Suchitra Pillai (Catherine D'Souza; Principal) are good in small roles.

Haiwaan movie music and other technical aspects: Pritam's music is forgettable. 'Rangiyara', 'Mere Hero Hai Woh' and the marriage song don’t work as intended. Ronnie Raphael's background score enhances the tension.

Divakar Mani's cinematography is superior and the silhouette shots especially stand out. Stunt Silva and Ravi Thyagarajan's action is realistic. Sabu Cyril's production design is superior, and Komal Shahani Mohan & V Sai Babu's costumes are convincing. Aiyappan Nair M S's editing is weak; the film should have been shorter by 30 minutes.

Haiwaan Movie Review Conclusion: On the whole, HAIWAAN rests on Saif Ali Khan and Akshay Kumar’s performances, a few engaging face-offs and strong technical values. However, the disjointed screenplay, excessive subplots, weak songs and an underwhelming climax limit its impact. With the hype around the film also being quite low, its box-office prospects appear dim.

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LAST MAN IN TOWER rests on a relatable premise and is elevated by sincere performances Movie Review: LAST MAN IN TOWER rests on a highly relatable premise

Star Cast: Manoj Bajpayee, Divya Dutta, Boman Irani

Director: Ben Rekhi

Last Man In Tower Movie Review Synopsis: LAST MAN IN TOWER is the story of a man and his principles. The year is 2010. Yogesh Mishra (Manoj Bajpayee) lives alone in a 2BHK flat in Vishram Society in Vakola, Mumbai. The building, built in 1961, is dilapidated, and renovation work has stalled because some members, struggling to make ends meet, cannot contribute to the expenses. At this juncture, builder Dharmen Shah (Boman Irani) of Determination Group enters their lives. He realizes that Vishram Society enjoys a prime location, being in close proximity to the airport, BKC and Dharavi, the latter of which is expected to emerge as a major financial centre in the future. Hence, he plans to demolish Vishram Society and build a residential complex called Shanghai in its place. In return, he offers the residents 2.5 times the market value of their flats. In other words, the residents are promised Rs. 25,000 per sq ft for their homes. Most of them are overjoyed by the seemingly too-good-to-be-true offer. Yogesh, however, refuses to accept it due to a past experience and also because the flat holds cherished memories of his late wife. A few elderly residents initially stand by him as well. His refusal soon creates friction among the residents and turns the once-harmonious society into a divided house. What happens next forms the rest of the film.

Last Man In Tower Movie Story Review: LAST MAN IN TOWER is based on the book of the same name by Aravind Adiga. The story is very relevant in today's times. Sooni Taraporevala's screenplay is simple and captivating. But it loses steam in the third act. Juhi Chaturvedi's dialogues are realistic and also a bit dramatic as required.

Ben Rekhi's direction is decent. The characters are presented in a very realistic and relatable manner. Moreover, with the redevelopment boom at an all-time high in urban areas, one can easily connect with the goings-on. Many of us have witnessed similar conflicts around us – a section of residents, especially the younger ones, are more than willing to give up their flats in return for a handsome sum, a bigger residence and modern amenities in a plush new building. On the other hand, the older residents are often reluctant to give up their homes, thereby leading to friction. In LAST MAN IN TOWER, this conflict turns the best of friends into sworn enemies, with a few residents going to insane lengths to get their way. Some scenes that work well in this regard are the ones where the secretary, Kothari (Harish Khanna), forges Yogesh's signature and when thieves break into Yogesh's flat.

On the flipside, the film gets a bit abstract after a point. The scene where Yogesh suddenly starts talking to birds seems out of place and forced. Interestingly, a few scenes shown in the trailer are missing from the final film; their inclusion could have possibly enhanced the impact. The climax is shocking and is likely to leave viewers divided. Lastly, the buzz around the film is minimal, which could prove detrimental to its box-office prospects.

Last Man In Tower Movie Review Performances: Manoj Bajpayee delivers a very heartfelt and heroic performance of a man who doesn’t flinch even when the world is against him. The character is not without flaws and even that is subtly presented by the talented actor. Boman Irani gets his act right as a greedy builder who can go to any lengths. However, his illness angle is barely utilized; the film would have worked without focusing on it as well. Divya Dutta (Sangeeta Puri) has a crucial character and as always, she comes out with flying colours. Playing Sangeeta is a challenge as she’s complicated, but Divya makes her act effortless. Among the other residents, Chandan Roy Sanyal (Ramesh Ajwani) leaves the maximum mark followed by Uday Chandra (Mr Pinto), Madhuri Bhatia (Mrs Pinto), Harish Khanna and Swaroopa Ghosh (Mrs Rego; single mother). Sukant Goel (Gaurav Mishra; Yogesh's son) leaves a huge mark. Sarika Singh (Sonal Mishra; Yogesh's daughter-in-law) and Srikant Yadav (Shanmugham; Dharmen's aide) are fair.

Last Man In Tower movie music and other technical aspects: Govind Vasantha's music gets no scope. Govind Vasantha's background score is in sync with the film's mood. Rangarajan Ramabadran's cinematography has a cinematic appeal. Sachin Lovalekar's costumes are very realistic, while Rakesh Kumar Yadav's production design is straight out of life. Meghna Manchanda Sen and Akshara Prabhakar's editing is appropriate.

Last Man In Tower Movie Review Conclusion: On the whole, LAST MAN IN TOWER rests on a highly relatable premise and is elevated by sincere performances, especially by Manoj Bajpayee and Divya Dutta. However, the uneven third act, abstract treatment in portions and a divisive climax dilute its overall impact. At the box office, the film will need strong word of mouth to overcome its low buzz and make a mark.

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Powered by powerhouse performances, whistle-worthy dialogues, massy moments and a rousing finale MIRZAPUR THE MOVIE is a paisa-vasool big-screen entertainer Movie Review: MIRZAPUR THE MOVIE is a paisa vasool big-screen entertainer

Star Cast: Ali Fazal, Pankaj Tripathi, Divyenndu, Jitendra Kumar

Director: Gurmmeet Singh

Mirzapur The Movie Review Synopsis: MIRZAPUR THE MOVIE is the story of power and ambition. Akhandanand Tripathi aka Kaleen Bhaiyya (Pankaj Tripathi) is the undisputed king, or ‘baahubali’, of Mirzapur. He has little faith in his son, Phoolchand Tripathi aka Munna (Divyenndu), and is far more impressed by the abilities of Govind Pandit aka Guddu (Ali Fazal) and Vinay Pandit aka Bablu (Jitendra Kumar). Meanwhile, J P Yadav (Pramod Pathak) puts pressure on Kaleen Bhaiyya to arrange funds for his upcoming election campaign. In order to raise the money, Kaleen begins looking for a new supplier. This is when Bablu gets a tip about Babban Yadav (Ravi Kishan), a Jaisalmer-based businessman who is looking to sell seven truckloads of drugs. However, Babban has an ulterior motive – he intends to eliminate Kaleen Bhaiyya. What happens next forms the rest of the film.

Mirzapur The Movie Story Review: Puneet Krishna's story is impressive and organically fits into the MIRZAPUR universe. Puneet Krishna's screenplay is very captivating and peppered with strong confrontational and action sequences. However, the writing in the middle of the second half leaves a lot to be desired. Puneet Krishna's dialogues are one of the highlights. A few one-liners are sure to be lapped up by the masses and could also go viral on social media.

Gurmmeet Singh's direction is mass-appealing. MIRZAPUR THE MOVIE is a unique experiment as it takes a popular web-series universe to the big screen. Moreover, it is not a continuation of the most recent season that dropped digitally. Instead, its story is set between Episodes 6 and 7 of the first season. This is a challenging proposition since the developments in the film cannot contradict or affect what happens subsequently in the series. In this regard, the writer emerges victorious, while Gurmmeet Singh also ensures that the continuity and essence of the MIRZAPUR universe remain intact. The film has a runtime of more than three hours, and yet, one doesn't get bored even for a moment. The action sequences may not be in abundance, but the film compensates with several powerful dramatic face-offs that elevate the impact. Some of the scenes that leave a mark are Guddu’s tu-tu main-main with his father while his mother tries on the woollen clothes, Guddu and Munna’s encounter at the salon, Babban’s argument with Vasudha Pandit (Sheeba Chaddha) and Guddu’s first meeting with Babban. However, the scene that takes the cake is the one in which Munna admonishes J P Yadav. It is sure to create a frenzy among the masses. The finale, too, is bound to get a roaring response in cinemas.

On the flipside, the film gets a bit stretched in the post-interval portions, while the romantic sequences feel forced. In fact, except for Beena Tripathi (Rasika Dugal) and Mumtaz Bibi (Sonal Chauhan), the rest of the actresses don’t have much to do. Babban’s decision to eliminate Kaleen Bhaiyya also seems unconvincing, as he doesn’t have a strong enough motive to take such an extreme step. Moreover, the film is predictable because, as mentioned earlier, it is set in the middle of the first season. Hence, one is already aware of the fate of several characters. As a result, a crucial scene in which a character’s heart stops beating has limited impact since the viewer knows that the character will survive.

Mirzapur The Movie Review Performances: Pankaj Tripathi delivers a supreme performance. Right from the first sequence, he ensures one forgets his light-hearted and comic avatars and sees him as the King of Mirzapur. Ali Fazal is terrific in his massiest performance to date. He plays to the gallery perfectly without going overboard. Divyenndu, too, puts his best foot forward and ensures that viewers get their money’s worth. Apart from his massy scenes, his emotional portion in the beginning also stands out. Jitendra Kumar had a big responsibility as he’s replacing Vikrant Massey. But he manages to effortlessly slip into the character. Ravi Kishan is too good. His fan following has gone through the roof lately and thankfully, the makers here have done full justice to his character, especially in the finale. Pramod Pathak, Sheeba Chaddha and Rasika Dugal have limited screen time, but they leave a tremendous mark. Sonal Chauhan looks stunning and delivers a fair performance; an actress who deserves to be seen more. Abhishek Banerjee (Subodh aka Compunder), Kulbhushan Kharbanda (Satyanand Tripathi), Shaji Choudhary (Maqbool) and Anangsha Biswas (Zarina) lend able support. Shweta Tripathi (Golu) and Shriya Pilgaonkar (Sweety) are impressive. Sadly, they don’t have much to do. Harshita Gaur (Dimpy) is wasted. Sushant Singh (Bhairav Singh Karnawat) and Rajesh Tailang (Ramakant Pandit) are dependable. Mohitt Maalik (Birju Lohar) delivers a decent performance. Satendra Soni (Chandu Puncture) is entertaining and the surprise of the film.

Mirzapur The Movie music and other technical aspects: The songs don’t register at all. 'Ghoom Ghoom' is the best of the lot, more due to the picturization and placement. 'Vaaroon Forever', 'Do Numbari', 'Sanson Ki Mala' and 'Vindhyvasini Ki Jao Ho' are average. John Stewart Eduri's background score is much better and enhances the impact of several scenes.

Sanjay Kapoor's cinematography is top-notch and lends the film a grandeur that surpasses the web series, giving it the much-needed cinematic feel. Amin Khatib's action is gory, and it works well for the film in this zone. Sonam Singh and Abhijit Gaonkar's production design is classy, while Darshan Jalan and Neelanchal Ghosh's costumes are realistic yet stylish. Manan Ashwin Mehta's editing is functional but could have been sharper in some scenes.

Mirzapur The Movie Review Conclusion: On the whole, MIRZAPUR THE MOVIE is a paisa-vasool big-screen entertainer that successfully transports the much-loved world of MIRZAPUR from OTT to cinemas. The powerhouse performances, whistle-worthy dialogues, gripping confrontations, massy moments and a rousing finale compensate for the stretched portions and predictable nature of the narrative. The film has opened strongly at the box office and is on course to enter the Rs. 100 crore club over the opening weekend. With Rs. 200 crore well within reach, its strong audience response and franchise value could translate into a major theatrical success.

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GANDHARI is a below-average drama salvaged to an extent by Taapsee Pannu’s act Movie Review: GANDHARI is a below average revenge drama

Star Cast: Taapsee Pannu, Ishwak Singh, Mita Vashisht

Director: Devashish Makhija

Gandhari Movie Review Synopsis: GANDHARI is the story of a brave mother. Bani (Taapsee Pannu) is married to Gokul (Ishwak Singh), and they have a daughter, Mishty (Myrah Shivan). While on a holiday, they pass through Joypurra. At the railway station, Mishty is kidnapped. Bani runs after the kidnapper but gets injured in the process, causing her to lose her eyesight. Bani and Gokul immediately approach the cops. Though the police assure them that they’ll find Mishty, they don't seem to take the case seriously. However, they are forced into action when AHTU sends a tough officer, Kabir (Jatin Sarna), to investigate the rising number of kidnappings of girls from Joypurra. Meanwhile, Bani bumps into Jhunu Amba (Mita Vashisht), with whom she shares a connection from the past. Jhunu motivates Bani to toughen up and take on the gang responsible for Mishty’s kidnapping. What happens next forms the rest of the film.

Gandhari Movie Story Review: Kanika Kapoor's story is promising. Kanika Kapoor's screenplay is a mixed bag. While a few aspects are novel, there are places where the writing falters as well. Kanika Kapoor's dialogues heighten the drama.

Devashish Makhija's direction is commercial. The manner in which Bani’s blindness track is handled is unexpected and unlike anything one has seen in films featuring protagonists who have lost their eyesight. Even the Bahrupi community of Joypurra adds to the intrigue. The town, the community and the Chaumukhi festival are depicted so realistically that viewers might assume they actually exist and are not fictional. The film is less than two hours long, and the makers don’t waste any time, keeping the focus firmly on the principal plot of a mother seeking revenge.

On the flipside, there are far too many cinematic liberties. In some scenes, it is difficult to believe that Bani could have pulled off certain acts without anyone getting a whiff of her true intentions. The whole kidnapping and missing girls’ angle gets a bit confusing. A few characters, such as Uma (Chhaya Kadam) and Somesh (Chandan Roy), are also introduced rather abruptly into the narrative. However, where the film falters the most is in its depiction of the bond between Bani and Gokul. The manner in which things unfold between them in the climax is highly unconvincing. One can even argue that it was not even needed in the first place. Lastly, it is bewildering and even unintentionally amusing that Bani doesn’t remember her past or the fact that she had gone through a similar ordeal earlier.

Gandhari Movie Review Performances: Taapsee Pannu, as expected, delivers a fabulous performance. She’s apt for such roles and impresses not just in action but also in the emotional scenes. Ishwak Singh puts up a sincere act but is let down a bit by the writing. Jatin Sarna leaves a tremendous mark. Mita Vashisht gets to play a badass role and performs ably. Chhaya Kadam is great and one wishes she had more screen time. The same goes for Chandan Roy. Myrah Shivan is cute. Prashant Narayanan (Dada) and Swastika Mukherjee (Churni) do well in small roles. Priti Shroff (ASI Sanjukta) is a great find, while Vishwanath Chatterjee (Inspector Saha) is fair.

Gandhari movie music and other technical aspects: Shor Police's music is well-woven into the narrative. However, none of the songs register. Shor Police's background score is better, especially in the action scenes.

Amit Roy's cinematography is satisfactory. Brahim Achhabake, Riyaz Shaikh, Habib Sayed and Anis Shaikh's action is exciting and not too gory, though there was scope to make it more violent. Nikhil Kovale and Apurva Bhagat's production design is authentic, and Prashant Sawant's costumes are realistic. Naman Arora's editing is too slick in some places but overall, fine.

Gandhari Movie Review Conclusion: On the whole, GANDHARI is a below-average revenge drama that is salvaged to an extent by Taapsee Pannu’s powerful performance, an interesting setting and a few engaging moments. However, the impact is heavily diluted by excessive cinematic liberties, confusing portions and weak writing, particularly in the third act.

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TOXIC impresses with scale, action and Yash’s swagger but is let down by an uneven screenplay, sluggish pacing and weak emotional connect Movie Review: TOXIC leans on style and swagger but lacks story and depth

Star Cast: Yash, Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, Huma Qureshi

Director: Geetu Mohandas

Toxic Movie Review Synopsis: TOXIC is the story of a man and the various women in his life. The year is 1947. India achieves independence, but Goa is still under Portuguese rule. Yet, it is Salvador (Darrell D'Silva) who's calling the shots. Raya (Yash) and his sister Ganga (Nayanthara) join Salvador's gang and soon rise through the ranks thanks to their wit and bravado. Raya bumps into Salvador's rebellious daughter Rebecca (Tara Sutaria) and the two have a fling. Rebecca falls completely in love with Raya but Raya gets smitten by Nadia (Kiara Advani), the owner of a circus and also its star performer. Nadia's entry brings a lot of excitement but also pain and anguish for Raya. What happens next forms the rest of the film.

Toxic Movie Story Review: Yash and Geetu Mohandas's story must have sounded exciting on paper. However, Yash and Geetu Mohandas's screenplay is bizarre and neither in the commercial nor in the artistic zone. Yash and Geetu Mohandas's dialogues are sharp at several places. At the same time, a few one-liners are forced and over-the-top.

Geetu Mohandas's direction is weak. To give credit where it’s due, she handles the scale of the film well. The film is mounted spectacularly, and she ensures that the final product feels worthy of the big screen. A few scenes stand out, including Raya’s entry, Raya’s track with Ganga, and Raya and Nadia’s dinner date and what follows thereafter. The interval block – comprising the marriage scene and the sequence at the fort – also makes for an interesting watch.

On the flipside, the portions depicting Raya and Ganga’s childhood are a bit confusing. Raya’s entry into Salvador’s gang is also never explained properly. The track of Mellisa (Rukmini Vasanth) is very weak and childish. Until a certain point, there’s not much movement in the story and one wonders where the narrative is heading. The entry of Ticket (Yash) initially brings some energy. However, the fight between the characters once again pulls down the film. But it’s the twist in the climax that seals the fate of the film. It might have seemed interesting had TOXIC been a film festival offering. But adding such a twist to a commercial film backfires, as it is likely to go bouncer for the masses. The other major issue is that the slow-motion scenes and Raya’s characterization give a strong KGF and even ANIMAL hangover.

Toxic Movie Review Performances: Yash puts in a lot of effort and it shows. He looks dashing while doing action and serenading the ladies. At the same time, he also ends up hamming in some scenes. Kiara Advani is the best performer in the film; her track is quite interesting. Nayanthara comes next. She looks stunning and performance-wise, she’s terrific. Tara Sutaria is a surprise and leaves a huge mark. Huma Qureshi, as always, is dependable and the same goes for Akshay Oberoi. Rukmini Vasanth is okay and her track comes at a time when the audience has lost interest in the film. Darrell D'Silva, Sudev Nair (Karmadi) and others are fair.

Toxic movie music and other technical aspects: Songs are okay. 'Tabaahi' is the best song of the lot and works due to its melody and picturization. 'Madhosh' and 'Waqt' are just okay. Ravi Basrur's background score elevates the impact.

Rajeev Ravi's cinematography gives the film a grand, cinematic look. J J Perry, Anbariv, Kecha Khamphakdee and Amrit Singh's action is gory, as per the times. T P Abid's production design is classy. Saniya Sardhariya's costumes for Yash are stylish while Neha R Bajaj's costumes for the others are glamorous. DNEG's VFX is top-class. Ujwal Kulkarni's editing is fine but could have been sharper especially in the Macau scenes.

Toxic Movie Review Conclusion: On the whole, TOXIC relies far too heavily on style, swagger and the familiar KGF-esque aura of Yash, while falling short on a compelling story and emotional connect. The performances, scale, action and technical finesse provide occasional highs, but the uneven screenplay, sluggish portions and a climax twist that is unlikely to resonate with the mass audience prove to be major deterrents. At the box office, TOXIC is expected to take a very good opening, driven by Yash’s immense popularity, strong pre-release buzz and the film’s event-scale presentation. However, unless audience word of mouth is significantly stronger than the film merits, collections could witness a noticeable drop over the weekend itself or, at the latest, from Monday.

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PAW PATROL: THE DINO MOVIE benefits from fun dinosaur setting, cute characters and engaging climax Movie Review: PAW PATROL: THE DINO MOVIE benefits from a fun dinosaur setting

Star Cast: Henry Bolan, Ron Pardo, Carter Young, Hayden Chamberlain

Director: Cal Brunker

Paw Patrol: The Dino Movie Review Synopsis: PAW PATROL: THE DINO MOVIE is the story of the mighty dogs befriending dinosaurs. The Paw Patrol goes to sea to rescue a yacht that catches fire. While returning to Adventure City, they get caught in a storm. Their boat veers towards a mysterious island that is nowhere to be seen on the map. Ryder (Henry Bolan), the leader of the patrol, decides to explore the island along with his dog squad, comprising Marshall (Carter Young), Chase (Rain Janjua), Skye (McKenna Grace), Rubble (Lucien Duncan-Reid), Rocky (William Desrosiers) and Zuma (Nylan Parthipan). They get the shock of their lives when they realize that the island is populated by gigantic but friendly dinosaurs. They also bump into a dog, Rex (Hayden Chamberlain), who has been stranded on the island for years and has befriended the creatures. Ryder and the squad return to Adventure City and inform the world about the presence of dinosaurs on ‘Dino Island’. As a result, experts from all over the world descend on the island to study the dinosaurs. Humdinger (Ron Pardo) also lands there, but with ulterior motives. What happens next forms the rest of the film.

Paw Patrol: The Dino Movie Story Review: Cal Brunker and Bob Barlen's story is much more interesting this time. Cal Brunker and Bob Barlen's screenplay is breezy and fast-paced, though like the previous parts, the writing suffers at some places. The dialogues add to the humour quotient.

Cal Brunker's direction is simple and kid-friendly. The previous parts also appealed to the kids more than the adults, unlike the other animated films that target the whole family. However, this part goes a notch above the first two installments as this time, the action shifts from Adventure City to an island full of dinosaurs. And these prehistoric creatures are not on a killing spree and are quite adorable. Rhubarb especially is very cute. While Chase and Skye faced trauma in the earlier films, this time, it’s Marshall who goes through a phase of self-doubt, which adds to the emotional impact. The climax is quite nail-biting and helps take the series several notches higher.

On the flipside, the film gets too illogical and senseless in places. Agreed, one doesn’t necessarily look for logic in a kiddie film, but a Disney-Pixar or DreamWorks production would have probably taken greater care of such loose ends. For instance, initially, it appears that entry to Dino Island is restricted. However, it later becomes clear that there’s no one actually monitoring access, as Humdinger manages to sneak in quite easily. If that’s the case, wouldn’t tourists and social media influencers have descended on the island in hordes to shoot videos and Reels with the dinosaurs? The character of Rex, a paraplegic dog, is a nice touch, but surprisingly, no backstory is provided about how he lost the use of his legs. Also, the much-loved Liberty simply disappears from the squad in this instalment, without any explanation. The much-publicized cameo voiceovers by Snoop Dogg, Jennifer Hudson and others are blink-and-you-miss appearances. Lastly, the PAW PATROL franchise doesn’t enjoy the same level of popularity in India as it does in several international markets.

Paw Patrol: The Dino Movie Review Performances: Speaking of the voiceovers, Carter Young gets the maximum prominence and does very well. Hayden Chamberlain, Henry Bolan and Ron Pardo also make a strong impression. Rain Janjua, McKenna Grace, Lucien Duncan-Reid and Nylan Parthipan lend able support. Terry Crews (Alistair Stonewall; dynamite expert) and Meredith MacNeill (Harper Cutlass; hunter) leave a mark.

Paw Patrol: The Dino Movie music and other technical aspects: Pinar Toprak’s music is peppy. Peter Chan’s production design is vibrant. The animation is at par with global standards. Ed Fuller’s editing is razor-sharp.

Paw Patrol: The Dino Movie Review Conclusion: On the whole, PAW PATROL: THE DINO MOVIE benefits from a fun dinosaur setting, cute characters, and an engaging climax. However, the film is also quite illogical in places and suffers from loose ends. Moreover, the PAW PATROL series is not very popular in India, which could prove detrimental to its box office prospects.

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THE END OF OAK STREET is a gripping, visually striking and entertaining creature thriller Movie Review: THE END OF OAK STREET is an entertaining creature thriller.

Star Cast: Anne Hathaway, Ewan McGregor, Maisy Stella, Christian Convery

Director: David Robert Mitchell

The End Of Oak Street Movie Review Synopsis: THE END OF OAK STREET is the story of a family caught in an unusual and terrifying situation. The year is 1982. Denise Platt (Anne Hathaway) lives on Oak Street in the suburb of Flowervale with her husband Greg (Ewan McGregor), daughter Audrey (Maisy Stella) and son Brian (Christian Convery). Denise and Greg's marriage is on the rocks. Greg works as a delivery man for Pete's Pizza, and Denise has reservations about his job as she wants him to find more regular employment. Meanwhile, strange things begin occurring on Oak Street. A mysterious plant appears in the backyard of Denise's elderly neighbour. A huge pile of what looks like cow excrement mysteriously turns up in the yard of their neighbour, Mel (P J Byrne). One night, a huge white light suddenly engulfs Oak Street, followed by a loud noise and a power cut. The next morning, the Platts wake up and realize that the electricity has still not been restored. When they step outside, they get the shock of their lives as they see dinosaurs roaming around the neighbourhood. What happens next forms the rest of the film.

The End Of Oak Street Movie Story Review: David Robert Mitchell's story is novel and fascinating. David Robert Mitchell's screenplay is gripping from the very first scene and keeps viewers hooked until the very end. The dialogues are conversational and a few one-liners are funny.

David Robert Mitchell's direction is splendid. He gives the film a distinct retro touch; hence, the colour tone, the execution and even the background score carry an old-world stamp. The plot is a winner. We have seen films about aliens attacking cities or dinosaurs wreaking havoc in parks specifically created for them. In THE END OF OAK STREET, however, dinosaurs are unleashed in an ordinary American suburb, which gives the premise a fresh spin. How the Platt family attempts to survive and battle these creatures makes for a thrilling watch. A few jump scares are sure to evoke screams in cinemas, while certain mass-appealing moments are likely to be greeted with applause.

On the flipside, the actions of a few characters seem illogical. This is especially evident around the mid-point, when both Audrey and Brian leave the house without informing their parents despite knowing that it is dangerous to be outside. The sub-plot involving Jeannette (Jordan Alexa Davis) and Kaden Tucker (Hudson Meek) seems forced and does not add much to the principal plot. Certain questions remain unanswered till the very end, which may not be liked by some sections of the audience. Lastly, the comic moments help ease the tension, but a few of them feel unwarranted.

The End Of Oak Street Movie Review Performances: Anne Hathaway delivers a solid performance that enhances the impact of the film. She is impressive in the action sequences, but truly shines in the emotional moments. Another scene where she stands out is when she clicks a picture of Greg with two dinosaurs in the background. The actress is on a roll. Earlier this year, she was seen in THE DEVIL WEARS PRADA 2 and THE ODYSSEY, and her roles in all three films are vastly different from one another, proving her versatility yet again. Ewan McGregor also makes his presence felt and dominates some key scenes. Maisy Stella and Christian Convery also put their best foot forward. Jordan Alexa Davis and Hudson Meek do well but are let down by the writing. P J Byrne is okay. Anne Gee Byrd (Mrs Huddleston) leaves a huge mark in a small role. Emily Kuroda (Mrs Valcourt; librarian) is fair.

The End Of Oak Street movie music and other technical aspects: Michael Giacchino's music has a retro touch and is perfectly in sync with the film’s mood. Michael Gioulakis's cinematography is praiseworthy. In certain shots, a split-diopter lens appears to have been used, allowing a character or object in the extreme foreground and another element in the distant background to remain in sharp focus simultaneously. It lends a distinctive visual touch to the film.

The action is realistic as well as gory. The VFX is top-class. Erin Benach's costumes and Maya Shimoguchi's production design effectively recreate the bygone era. John Axelrad's editing is sharp and unhurried.

The End Of Oak Street Movie Review Conclusion: On the whole, THE END OF OAK STREET is a gripping, visually striking and entertaining creature thriller that scores with its novel premise, retro treatment, thrilling dinosaur sequences and strong performances by Anne Hathaway and Ewan McGregor. The film has managed to register decent advance bookings despite the clash with AWARAPAN 2 and BATWARA 1947. As a result, it has the potential to surprise at the ticket windows.

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AWARAPAN 2 is a mass-appealing action entertainer, powered by Emraan Hashmi, nostalgia, emotion and whistle-worthy moments Movie Review: AWARAPAN 2 is a mass-appealing action entertainer

Star Cast: Emraan Hashmi, Disha Patani, Shabana Azmi

Director: Nitin Kakkar

Awarapan 2 Movie Review Synopsis: AWARAPAN 2 is the story of a man on a mission. Nineteen years have passed since the events of the first part. Shivam Pandit (Emraan Hashmi) has survived and continues to mourn the untimely demise of Aaliyah Hamid (Shriya Saran). He forms a bond with an abandoned child, whom he names Aaliyah (Myrah Shivan). When the girl finds herself in trouble, Shivam brings back his old, brave and fearless avatar. He travels to Bangkok and takes on members of a dangerous gang to save Aaliyah. Amid the chaos, he finds solace in Zara (Disha Patani). What happens next forms the rest of the film.

Awarapan 2 Movie Story Review: Vishesh Bhatt's story carries the essence of the first part. Bilal Siddiqi and Vishesh Bhatt's screenplay is engaging and peppered with engaging and emotional moments. However, the writing could have been tighter and less predictable. Bilal Siddiqi and Vishesh Bhatt's dialogues (additional dialogues by Sanjay Masoom) are in sync with the zone of the film.

Nitin Kakkar's direction is mass appealing. He nicely plays on the nostalgia factor and moreover, presents the protagonist in an extremely likeable avatar. Hence, one roots for Shivam from start to finish. The antagonist's track and his equation with his siblings is another riveting track that will be lapped up by the audience. There's abundance of action which will find patronage from the mass audience and single screen patrons. Certain scenes will lead to lots of claps and whistles.

On the flipside, despite the best efforts, the film falls short of the greatness of AWARAPAN [2007], which has become a cult classic. The romantic track between Shivam and Zara doesn't work as intended. A few twists are predictable and one can guess from a mile away. A few scenes are silly like the villain allowing the protagonist to survive and not killing. It makes no sense considering that he's shown to be quite ruthless. Lastly, the final scene will leave the audience divided.

Awarapan 2 Movie Review Performances: Emraan Hashmi is presented in a mass appealing avatar and will be loved. There's been a huge demand to see him in such a character but he had not done a role of this kind in a long time. Hence, masses and his fans will be in for a treat. Disha Patani looks stunning and gives a first-rate performance. Shabana Azmi (Nafisa Nawaz) is lovely and one wishes she had more screen time. Puran Gabbi (Zorawar) is a great find and is a big surprise. Aniruddh Rawal (Sikandar) is another actor that will be appreciated. Suvinder Vicky (Jaideep), Vijayant Kohli (Mehmood) and Atul Kumar (Samarth) lend able support. Myrah Shivan delivers a confident performance. Shriya Saran and Shaad Randhawa's cameos are fair.

Awarapan 2 movie music and other technical aspects: The music is decent and again, no match to the soundtrack of the original. 'Tera Mera Rishta Continues' and 'Toh Phir Aao' are the best of the lot followed by 'Yeh Awarapan' and 'Ve Junoon'. 'Tumhare Liye', 'Piya Ghar Aaya' and 'Laado' fail to entice. Raju Singh's background score is much better.

Vishnu Rao's cinematography is stunning. The locales of Rajasthan and Bangkok are spectacularly shot. Aejaz Gulab and Kawee Sirikhanaerut's action is a bit gory. Shiraz Siddique and Maxima Basu's costumes are stylish while Sunayana Sabherwal and Tarpan Shrivastavaa's production design is classy. Devendra Murdeshwar's editing is sharp and could have been better in beginning of the second half.

Awarapan 2 Movie Review Conclusion: On the whole, AWARAPAN 2 works as a mass-appealing action entertainer powered by Emraan Hashmi’s likeable performance, nostalgia, emotion and whistle-worthy moments. At the box office, the film is all set for a smashing opening and a strong weekend, and this will prove to be one of the biggest hits of the year.

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OHH MY DOG is an endearing entertainer that scores with its adorable canine hero Movie Review: OHH MY DOG is an endearing and unusual entertainer

Star Cast: Mahi Rai, Pankaj Tripathi, Pavan Malhotra

Director: Amit Rai

Ohh My Dog Movie Review Synopsis: OHH MY DOG is the story of two dogs and their devoted masters. In Dibrugarh, Assam, a dog named Momo is adopted by a young boy, Apu (Mahi Rai), and his parents (Geeta Agarwal and Prashant Kashyap). One day, Momo suddenly disappears from outside their house. Apu and his mother approach the local police station for help. However, the SHO, Mohd Yusuf Hazari (Vijay Mishra), refuses to take action. He informs them that Momo may have been abducted by a gang involved in smuggling dogs for their meat and advises them not to harbour much hope. However, Apu refuses to accept defeat and decides to track down Momo on his own. Meanwhile, in Patna, Bihar, the situation is reversed. Oscar’s master, Prince (Nikhil Kumar), an underage construction worker, is kidnapped. It is Oscar who raises an alarm over Prince’s disappearance, prompting the others at the construction site to take the matter seriously. They approach Prince’s teacher (Pankaj Tripathi) for help. Here, too, the police officer (Rajesh Kumar) is reluctant to assist them. What happens next forms the rest of the film.

Ohh My Dog Movie Story Review: Amit Rai's story is unconventional as the story centres around dogs. Amit Rai's screenplay is gripping and peppered with thrilling as well as clapworthy moments. However, the writing gets stretched in some places. Amit Rai's dialogues are conversational and, in some places, he has also cleverly infused some funny one-liners.

Amit Rai’s direction is praiseworthy. It is no cakewalk to helm a film in which a dog is one of the principal characters. In this regard, Amit deserves brownie points for getting the animal to perform convincingly and even execute action sequences. Moreover, Oscar’s actions are so adorable and heroic that children are sure to lap them up. Bollywood rarely makes films primarily for young audiences, and OHH MY DOG comes as a breath of fresh air in this space. Meanwhile, the parallel track involving the child in Assam is equally immersive. A particular sequence in which Apu traces his missing dog’s movements from a nullah to a riverbank stands out. The entry of the RTO officer (Pavan Malhotra) further adds to the madness.

On the flipside, at 150 minutes, the film is a little too long and could easily have been shorter by around 15 minutes. A few portions are needlessly stretched, while the writing becomes unconvincing in places. The behaviour of the SHO in Dibrugarh is difficult to digest. Apu uses illegal apps to track down the kidnappers in the presence of the police, and the officer should ideally have objected to it. Also, considering his ulterior motive, it seems unlikely that he would openly inform Apu’s mother about the gang involved in kidnapping dogs. The sequence featuring 250 dogs is visually appealing and is sure to wow viewers, but it also takes away from the film’s realism. Lastly, the music fails to make an impact.

Ohh My Dog Movie Review Performances: The human actors put their best foot forward, but it is the dog Bruno, who plays Oscar, who takes the cake with his cuteness and bravery. Mahi Rai comes next. He puts up a confident performance and dominates the other actors. Pankaj Tripathi is adorable in what could be called a supporting role. Pavan Malhotra has a late entry and makes up for it with his arresting screen presence. Geeta Agarwal gets into the skin of her character. Vijay Mishra and Rajesh Kumar leave a huge mark. Nikhil Kumar is aptly cast. Sulakhyana Baruah (Krishna; Apu's teacher) is a great find. Bulloo Kumar (Kidnapper) puts up a fine act.

Ohh My Dog movie music and other technical aspects: Aman Pant's music doesn’t entice. However, Mangesh Dhakde's background score is much better and in sync with the film’s happenings.

Mate Herbai's cinematography is terrific. Bihar and Assam have never been captured before in this manner in a Hindi film. Some shots are captured from the point of view of the dog and it adds to the tension. Ashwini Shrivastav's production design is realistic while Isaac Hamon and Sunil Rodrigues' action is entertaining. White Apple's VFX is satisfactory. Suvir Nath's editing could have been crisper.

Ohh My Dog Movie Review Conclusion: On the whole, OHH MY DOG is an endearing and unusual entertainer that scores with its adorable canine hero, engaging performances and several thrilling, clapworthy moments. However, the low pre-release buzz and the arrival of strong competition next week could restrict its box-office prospects. It will therefore need positive word of mouth to draw audiences to cinemas and sustain at the ticket window.

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BHAI TERA STAR HAI is an unfunny comedy that fails to make the most of its premise Movie Review: BHAI TERA STAR HAI is a chaotic and unfunny comedy

Star Cast: Raghav Juyal, Sanjay Kapoor, Niharika NM

Director: Vivek B Agrawal

Bhai Tera Star Hai Movie Review Synopsis: BHAI TERA STAR HAI is the story of a man in trouble. Ajay Singh (Raghav Juyal) is a struggling actor living in London. He owes £10,000 to Fatty (Sanjay Kapoor), a dreaded don and pub owner. Fed up with the repeated delays, Fatty gives Ajay 90 minutes to repay the money. Ajay leaves the pub and meets his girlfriend, Roshni (Niharika NM), asking her for financial help. He lies that his sister, Natasha (Parvathy Omanakuttan), is pregnant and urgently needs money. At the same time, he tells Natasha that Roshni is expecting a child and, therefore, requires money urgently. Meanwhile, Roshni asks her brother, Sid (Vivan Bhatena), to arrange the cash. Sid has lent money to several women and goes around the city trying to recover it from them. One of these women is his former girlfriend, Natasha, who also happens to be Ajay’s sister. Soon, several other characters become embroiled in the madness that unfolds over the course of one night. What happens next forms the rest of the film.

Bhai Tera Star Hai Movie Story Review: Sudipto Sarkar and Vivek B Agrawal's story may have sounded very exciting and novel on paper. Sudipto Sarkar and Vivek B Agrawal's screenplay is witty in the sense that it has multiple one take shots. However, the goings-on are bizarre and not funny at all. Sudipto Sarkar and Vivek B Agrawal's dialogues (additional dialogues by Vanika Sangtani, Puneet Sheth, Kamya Mehra) are just okay. Only a few one-liners are funny.

Vivek B Agrawal’s direction is poor. To give credit where it is due, the film features several five- to ten-minute-long takes. It is commendable how the makers manage to pack so much action into scenes filmed in a single take. Moreover, these sequences are not restricted to one location or a static frame; some even unfold on the streets, adding to the chaos. The idea of the protagonist separately lying to his sister and girlfriend about the other being pregnant in order to raise money is clever and could have generated considerable entertainment. The character of Fatty is also amusing – a dreaded don in front of the world who is, ironically, terrified of his wife, Mandy (Niki Walia).

Yet, the film simply fails to impress, as there is hardly anything genuinely funny in it. Despite being just 105 minutes long, it becomes a chore to sit through. The lengthy single-take sequences cease to impress after the first few minutes, while the proceedings become increasingly bizarre as the film progresses. A crucial plot point involves a character being shot in the neck or shoulder. At times, he appears to be in immense pain, but in other scenes, he behaves as though he has suffered only a minor scratch. He does not receive any treatment for his serious injury until the very end and simply goes home! The finale is highly convenient. While most of the tracks are neatly wrapped up, one major subplot is left unresolved.

Bhai Tera Star Hai Movie Review Performances: Raghav Juyal is amusing in a few scenes, but overall, his performance is too loud, possibly due to the requirement of the script. Niharika NM has an arresting screen presence and delivers a subtle and effective performance. Sanjay Kapoor is aptly cast and tries his best to enhance the impact. Tina Desai (Chandani) is lovely in what could be called her comeback role. Barkha Singh (Laila), Parvathy Omanakuttan and Vivan Bhatena are sincere. Vikalp Mehta (JD) is fine but is let down by his character. Niki Walia and Dev Agarwal (Jackie; younger brother) are just okay. Chandan Roy Sanyal (Officer Hamid) tries his best, but his character just doesn’t entice. Naser Al Azzeh (Harry) and Vineeth Kumar (Sandy) are forced into the narrative.

Bhai Tera Star Hai movie music and other technical aspects: Amit Trivedi’s music is not up to the mark. The title track plays during the opening credits. Meanwhile, believe it or not, but as many as three songs – ‘Aankhon Se Tune 2.0’, ‘Nach De Lalariya’ and ‘Rang Barse’ – are played back-to-back during the end credits. ‘Aankhon Se Tune 2.0’ stands out due to its picturization, though it is rather forcefully incorporated into the narrative. Shivam-Anuj’s background score is also excessively loud, while the intermittent use of ‘Reel’-style sound effects is a put-off.

Tribhuvan Babu Sadineni’s cinematography is commendable, particularly in the way the lengthy single-take sequences have been executed. The production design is decent. Rick Roy's costumes are rich. Avantika Hari's editing is smart.

Bhai Tera Star Hai Movie Review Conclusion: On the whole, BHAI TERA STAR HAI is a chaotic and unfunny comedy that fails to make the most of its interesting premise and single-take sequences. With limited buzz and the film clashing with the monstrous SPIDER-MAN: BRAND NEW DAY, it is likely to struggle to attract audiences at the box office.

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SPIDER-MAN: BRAND NEW DAY swings high on heart, humour and action, making for one of the franchise's strongest outings Movie Review: High on emotion, humour and heroism SPIDER-MAN: BRAND NEW DAY is less multiverse, more heart.

Marvel has spent the last few years chasing bigger worlds, bigger stakes and bigger crossovers. But after the emotionally devastating finale of SPIDER-MAN: NO WAY HOME, the franchise didn't need another multiverse headache, it needed Peter Parker. SPIDER-MAN: BRAND NEW DAY understands exactly that. Instead of trying to outdo its predecessor with endless cameos and universe-hopping madness, the film strips things back to what made Spider-Man a global favourite in the first place: a young man trying to do the right thing even when life refuses to cut him a break. The result is a refreshing, emotionally grounded and thoroughly entertaining superhero film that reminds us why the friendly neighbourhood Spider-Man still reigns supreme.

SPIDER-MAN: BRAND NEW DAY Review Synopsis With the world having forgotten Peter Parker's existence, Spider-Man is now truly on his own. Juggling responsibility and relentless crime-fighting, Peter has accepted that saving the city often comes at the cost of having a life of his own. But when a dangerous new enemy emerges and old wounds begin resurfacing, Peter is forced to confront challenges that test not just his powers, but his resilience. As New York becomes the battlefield once again, Spider-Man discovers that every new beginning comes with a price.

SPIDER-MAN: BRAND NEW DAY Movie Review The smartest decision SPIDER-MAN: BRAND NEW DAY makes is refusing to become SPIDER-MAN: NO WAY HOME 2.0. This isn't a film obsessed with nostalgia. It's interested in something far more compelling, watching Peter Parker rebuild his life from scratch. The screenplay keeps its focus firmly on character. Peter's loneliness isn't milked for sympathy; it's woven naturally into the story, making every victory feel earned and every setback sting just a little more. The humour lands, the emotional beats feel genuine and, thankfully, the film knows when to slow down instead of sprinting from one explosion to the next.

What truly works is the balance. The film delivers enough laughs to keep things breezy, enough action to satisfy Marvel fans and enough emotional depth to make you care about the man beneath the mask. Even the quieter scenes carry weight because the audience is invested in Peter, not just Spider-Man. The third act does become a little overcrowded, with a few familiar Marvel tendencies creeping in. Some plot turns arrive a touch conveniently and one or two supporting characters deserved more screen time. But these are minor speed bumps in an otherwise engaging ride.

Most importantly, SPIDER-MAN: BRAND NEW DAY finally lets Peter grow up and the franchise is all the better for it.

SPIDER-MAN: BRAND NEW DAY Movie Review Performances Tom Holland is, once again, the film's biggest strength. He has now completely owned the role, effortlessly blending awkward charm, self-deprecating humour and emotional vulnerability. This is arguably his most mature performance as Spider-Man, proving he no longer needs bigger spectacles to shine.

Zendaya is likeable and though her screen time is limited, she makes her presence felt.

The supporting cast is equally dependable, bringing warmth, humour and just enough intrigue without stealing the spotlight. Their chemistry keeps the emotional stakes grounded, ensuring the film never loses sight of its human side amid the superhero chaos.

SPIDER-MAN: BRAND NEW DAY Movie, Music and Technical Review Visually, Brand New Day feels sharper and more confident than several recent Marvel outings. The CGI is polished without becoming overwhelming, while the web-swinging sequences are genuinely exhilarating and among the film's biggest crowd-pleasers. The action choreography deserves special mention. Every fight has its own rhythm, making full use of Spider-Man's agility rather than relying on repetitive CGI mayhem. The background score complements the emotional moments beautifully before exploding into full superhero mode during the larger set pieces. Crisp editing and confident direction ensure the film rarely loses momentum.

SPIDER-MAN: BRAND NEW DAY Movie Review Conclusion On the whole, SPIDER-MAN: BRAND NEW DAY proves that Spider-Man doesn't need a multiverse to be marvellous. All he needs is a strong story, genuine emotion and a hero worth rooting for. Funny, heartfelt and packed with thrilling action, this is one of the most satisfying SPIDER-MAN films in years and a welcome reminder that sometimes the smallest stories leave the biggest impact. At the box office, the film is poised for a thunderous start and has all the ingredients to emerge as the biggest SPIDER-MAN hit ever.

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TERA YAAR HOON MAIN has a mass-friendly premise but a dated narrative and weak humour Movie Review: TERA YAAR HOON MAIN has a mass-friendly premise but a dated narrative.

Star Cast: Aman Indra Kumar, Akanksha Sharma

Director: Milap Milan Zaveri

Tera Yaar Hoon Main Movie Review Synopsis: TERA YAAR HOON MAIN is the story of a young man and his unusual bond with his friend and the latter’s daughter. Sanju (Aman Indra Kumar) lives in Nagpur with his mother, Saru (Mrinal Deshmukh). At her insistence, he takes up a job in Mumbai and agrees to stay at the residence of Saru’s friend, Vishwanath Purohit (Paresh Rawal), aka Vishu. Vishu lives with his wife, Nandini (Supriya Pilgaonkar), who detests him, and their daughter, Anu (Akanksha Sharma), who adores him more than anyone else. Vishu has a reputation for always keeping his word and never going back on a promise. Meanwhile, Sanju falls in love with Anu. However, she has no feelings for him and has agreed to marry Aditya (Abhishek Mandrecha), the man chosen by her father. Sanju and Vishu become thick friends, and the former confesses his feelings for Anu to the latter. However, Vishu’s determination to honour his promise complicates matters. What happens next forms the rest of the film.

Tera Yaar Hoon Main Movie Story Review: TERA YAAR HOON MAIN is a remake of HELLO GURU PREMA KOSAME [2018]. The story is commercial and has the potential to appeal to the masses. But Rajan Agarwal's screenplay fails to entice and is peppered with moments that fail to up the entertainment quotient in the film. Milap Milan Zaveri's dialogues are okay. A few one-liners work well, but some of them miss the mark.

Milap Milan Zaveri’s direction is average. To give credit where it’s due, he keeps the narrative simple and massy, intending to appeal to the lowest common denominator. The opening title card evokes a lovely sense of déjà vu, reminiscent of old Hindi film title cards, with instrumental versions of the film’s songs playing in the background. Along with romance and humour, he also incorporates action and emotion into the narrative. The friendship between Sanju and Vishu is endearing.

On the flipside, several scenes, which are intended to be funny, fail to raise laughs. The story seems dated. Several plot points are difficult to digest and a few gags seem to be lifted or inspired from similar scenes in famous films like HADH KAR DI AAPNE [2000], INDIAN [2001] etc. A film of this kind may have worked 10 years ago, but in today's times, it may not impress even the masses. Moreover, the original film’s Hindi dubbed version has been widely consumed. This might further restrict its viewership.

Tera Yaar Hoon Main Movie Review Performances: Aman Indra Kumar shows promise and does well, especially in emotional and confrontational sequences. However, he could do better in comic scenes. Akanksha Sharma has an arresting presence and delivers a first-rate performance. Both actors dance exceptionally well. Paresh Rawal is the soul of the film and dominates several key scenes. Supriya Pilgaonkar raises the maximum laughs followed by Darshan Jariwala (Tanisha's father). Neha Khan (Tanisha) is fair in a supporting role. Abhishek Mandrecha and Mrinal Kulkarni don't get much scope. Rajesh Khera is just okay. Mehaan Milap Zaveri (guest at the Nagpur wedding) is cute while Johny Lever (cab driver) is dependable.

Tera Yaar Hoon Main movie music and other technical aspects: A film like this should have had chartbuster songs. Sadly, the album has failed to generate any excitement. Having said that, 'Maine Dil Tujhko Diya' is foot-tapping. 'Tanu Ko Manu Chahiye' is novel and reminds one of 'Apun Bola Tu Meri Laila' from JOSH [2000].

Nigam Bomzan's cinematography is satisfactory. Avani Pratap Gumber's costumes are stylish, especially the ones worn by the lead actors and Neha Khan. Tajamul Shaikh and Anshita Manot's production design is appealing in the scenes of Vishwanath's residence but tacky in the exterior portions. Amin Khatib's action is mass appealing. Maahir Zaveri's editing could have been crisper.

Tera Yaar Hoon Main Movie Review Conclusion: On the whole, TERA YAAR HOON MAIN has a mass-friendly premise and is aided by Paresh Rawal’s strong performance and the warm friendship track. However, its dated narrative, weak humour and unconvincing plot points dilute the impact. At the box office, the film is likely to face an uphill task.

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THE INDIA STORY has a powerful subject, but weak writing and dull courtroom drama blunt its impact. Movie Review: THE INDIA STORY's powerful subject is let down by weak writing.

Star Cast: Shreyas Talpade, Kajal Aggarwal Kitchlu

Director: Chettan D K

The India Story Movie Review Synopsis:

THE INDIA STORY is the story of a man taking on the entire system. Yogesh Patil’s (Shreyas Talpade) daughter, Pari (Trisha Sharda), passes away from cancer at the age of six or seven. Yogesh approaches a police station in his city, Pune, and alleges that she was murdered. The cops find his complaint frivolous and throw him out. He then approaches several lawyers, but they, too, decline to fight his case. Finally, Advocate Archana (Kajal Aggarwal Kitchlu) decides to take it up as her first case. At the Bombay High Court, Archana argues before a two-judge bench comprising Justice M Dave (C P Thakur) and Justice J Prabhakar (Atul Tiwari) that Pari died after consuming fruits, vegetables, milk and other food products contaminated with pesticides and harmful chemicals. She holds the farmers, pesticide companies and the government at large responsible for her death and requests the court to take action against them. The case becomes a major talking point across the country. Farmers, in particular, are aghast, as they consider themselves ‘annadaatas’ but are now being branded as murderers. What happens next forms the rest of the film.

The India Story Movie Story Review: Sagar Shinde's story is hard-hitting and astonishing. However, Sagar Shinde's screenplay fails to do justice to such a promising plot. Very few sequences manage to stand out. Sagar Shinde's dialogues are sharp. However, this courtroom drama doesn’t have a single dialogue that will compel viewers to break into applause. Moreover, due to the censor cuts, some of the one-liners fail to create the desired impact.

Chettan D K’s direction is not up to the mark. To give credit where it is due, he brings to the screen a topic that urgently deserves to be discussed. The timing is also apt, given the recent crackdown in Maharashtra on unhygienic practices at prominent restaurants and eateries. A few scenes stand out. In one such sequence, IG Vijay Rathod (Murli Sharma) is aghast upon learning how certain unscrupulous elements in society produce milk. He recalls savouring a milk-based sweet and encouraging his son to drink milk for better health. Another important scene features Archana’s conversation with a farmer, Rajaram (Rahul Belapurkar), who explains why he separately grows the food consumed by his family. Some portions are deeply moving, especially those depicting the ordeal Pari goes through.

However, as aforementioned, a film which is a courtroom drama and which is tackling such a burning topic should have had exhilarating or clapworthy moments. THE INDIA STORY is devoid of any such moment. The opposition lawyer, Vardhan Agnihotri (Manish Wadhwa), does make strong arguments. But shockingly, he doesn’t get any witness from his side. He merely defends the points raised by Archana. Ideally, when such big corporations are involved, they’ll go all out to save their face in the court. However, their head honchos are just shown discussing in boardrooms that the case will destroy their company and then silently accepting their fate! The other issue with the film is that it’s too disturbing, especially the hospital scenes in the second half. Agreed that it was important to show the hardships. Yet, it gets too heavy and may not be liked by the audience. Lastly, the twist at the intermission point is great, but one wonders why Archana hides the fact from the court and the world at large?

The India Story Movie Review Performances: Shreyas Talpade has a limited contribution in the first half. But he dominates key scenes of the post-interval portions and delivers a heartfelt performance. He makes sure not to go overboard and hence; his act looks very authentic. A few of his scenes will leave viewers teary-eyed. Kajal Aggarwal Kitchlu, meanwhile, is the soul of the first half and looks every inch a lawyer with a motive. Performance-wise, she’s first rate. Child actor Trisha Sharda is cute and plays a difficult role with panache. Murli Sharma and Manish Wadhwa are dependable. C P Thakur and Atul Tiwari are decent. Sachin Parekh (Dr Vikrant) and Kamlesh Sawant (Inspector Jangam) leave a mark in small roles. Alok Kapoor (Yogesh's father) and Anu More (Yogesh's mother) get no scope, while Ganesh Yadav (Opposition leader) is wasted.

The India Story movie music and other technical aspects: Mangesh Dhakade's music is poor. Not a single song stands out. 'Gubbara Chaand Ka' consists of animated scenes; however, it looks out of place. Mangesh Dhakade's background score is just okay.

Nishant Bhagwat's cinematography is functional. Mitesh Zore's production design is authentic. Kirti Jangam's costumes are realistic. The use of AI is tacky. Akash Mhatre's editing is fair but could have been better in scenes involving censor cuts.

The India Story Movie Review Conclusion: On the whole, THE INDIA STORY rests on an important and hard-hitting subject, but weak writing and ineffective courtroom drama dilute its impact. It releases with negligible buzz and, therefore, stands virtually no chance of succeeding at the box office.

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